
Oviedo Public Art Walking Tour (Self Guided), Oviedo
Public art adds a great deal of vibrancy and character to the cityscape of Oviedo, Spain, reflecting, among other things, its contemporary spirit. From the bustling Plaza Trascorrales to the serene Plaza Porlier De Oviedo, numerous sculptures have long become an integral part of the neighborhood, captivating passers-by in their numbers.
In Plaza Trascorrales, sculptures like The Fishwife and Fishmonger celebrate the city's longstanding culinary traditions, depicting scenes of daily life with intricate detail. Nearby, The Milkmaid is a tribute to the timeless occupation of dairy farming, resonating with nostalgia and simplicity.
"La Regenta," inspired by the renowned novel of the same name, pays homage to Oviedo's literary legacy, while the Traveler Sculpture in Plaza Porlier De Oviedo, one of the most photographed spots in Oviedo, embodies the city's welcoming spirit.
The statue of Archbishop Fernando de Valdés Salas, located prominently in the city center, symbolizes the intersection of religion and power throughout Oviedo's history. Meanwhile, the Concord Monument in Plaza del Carbayón stands as a commitment to peace and unity.
Other notable sculptures include The Thinker, The Walk of Hope, and The Girls, each contributing to the city's artistic tapestry with their unique narratives and styles. From the whimsical statues of Mafalda and “Stew Pot†to that of Woody Allen, Oviedo's public art scene is as diverse as it is captivating.
As you explore Oviedo, take a moment to appreciate these artistic marvels. This self-guided tour will take you around the city center to see some of the most interesting of them. Accept our invitation and engage with Oviedo's creativity in a truly immersive way!
In Plaza Trascorrales, sculptures like The Fishwife and Fishmonger celebrate the city's longstanding culinary traditions, depicting scenes of daily life with intricate detail. Nearby, The Milkmaid is a tribute to the timeless occupation of dairy farming, resonating with nostalgia and simplicity.
"La Regenta," inspired by the renowned novel of the same name, pays homage to Oviedo's literary legacy, while the Traveler Sculpture in Plaza Porlier De Oviedo, one of the most photographed spots in Oviedo, embodies the city's welcoming spirit.
The statue of Archbishop Fernando de Valdés Salas, located prominently in the city center, symbolizes the intersection of religion and power throughout Oviedo's history. Meanwhile, the Concord Monument in Plaza del Carbayón stands as a commitment to peace and unity.
Other notable sculptures include The Thinker, The Walk of Hope, and The Girls, each contributing to the city's artistic tapestry with their unique narratives and styles. From the whimsical statues of Mafalda and “Stew Pot†to that of Woody Allen, Oviedo's public art scene is as diverse as it is captivating.
As you explore Oviedo, take a moment to appreciate these artistic marvels. This self-guided tour will take you around the city center to see some of the most interesting of them. Accept our invitation and engage with Oviedo's creativity in a truly immersive way!
How it works: Download the app "911±¬ÁÏÍø: Walks in 1K+ Cities" from Apple App Store or Google Play Store to your mobile phone or tablet. The app turns your mobile device into a personal tour guide and its built-in GPS navigation functions guide you from one tour stop to next. The app works offline, so no data plan is needed when traveling abroad.
Oviedo Public Art Walking Tour Map
Guide Name: Oviedo Public Art Walking Tour
Guide Location: Spain » Oviedo (See other walking tours in Oviedo)
Guide Type: Self-guided Walking Tour (Sightseeing)
# of Attractions: 19
Tour Duration: 3 Hour(s)
Travel Distance: 3.0 Km or 1.9 Miles
Author: DanaOffice
Sight(s) Featured in This Guide:
Guide Location: Spain » Oviedo (See other walking tours in Oviedo)
Guide Type: Self-guided Walking Tour (Sightseeing)
# of Attractions: 19
Tour Duration: 3 Hour(s)
Travel Distance: 3.0 Km or 1.9 Miles
Author: DanaOffice
Sight(s) Featured in This Guide:
- Vendedoras del Fontán (Sellers of the Fontán)
- Plaza Trascorrales. La Pescadera (The fishwife)
- Vendedor de Pescado (Fish Seller)
- Plaza Trascorrales. La Lechera (The Milkmaid)
- La Regenta (The Regent)
- Plaza Porlier De Oviedo. Sculpture of the Traveler
- Statue of Archbishop Fernando de Valdés Salas
- Plaza del Carbayón. Concord Monument
- La Pensadora (The Thinker)
- Esperanza Caminando (Walk of Hope)
- Las Meninas (The Girls)
- Encarna con Chiquitin (Embodied with a Little Boy)
- La Maternidad (The Motherhood)
- Statue of Mafalda
- Woody Allen Statue
- Luis Riera Posada Statue
- Mavi
- Guisandera (The Stew Pot)
- La Gitana (The Gypsy Woman)
1) Vendedoras del Fontán (Sellers of the Fontán)
Two bronze women, one seated, one standing, guard a collection of ceramic ware in the Daoiz and Velarde Square. They are known as the "Sellers of the Fontan." The statue, inaugurated in 1996, is the work of sculptor Amado Gonzales Hevia. The bronze women are one of more than 100 such monuments that populate Oviedo streets.
The urban landscape of the city is adorned with sculptural works. For the most part, they represent personages of particular relevance in a former period. The "Sellers" was inspired by an old photograph of Spanish photographer and painter Adolfo Lopez Arman. It shows two women who have come from Faro to Oviedo to sell ceramics they have made in their home workshop.
The Daoiz and Velarde Square holds part of the Market of Fontan where shoppers of Oviedo may buy agricultural products and artisan goods of Asturias every Thursday and Saturday. Since the civil war, the Market has become the exclusive sphere of women. The sculpture is a realistic scene of the Market in the 18th century.
The urban landscape of the city is adorned with sculptural works. For the most part, they represent personages of particular relevance in a former period. The "Sellers" was inspired by an old photograph of Spanish photographer and painter Adolfo Lopez Arman. It shows two women who have come from Faro to Oviedo to sell ceramics they have made in their home workshop.
The Daoiz and Velarde Square holds part of the Market of Fontan where shoppers of Oviedo may buy agricultural products and artisan goods of Asturias every Thursday and Saturday. Since the civil war, the Market has become the exclusive sphere of women. The sculpture is a realistic scene of the Market in the 18th century.
2) Plaza Trascorrales. La Pescadera (The fishwife)
Trascorrales Square sits beside a 19th-century market hall that once handled the city’s fish trade and now hosts cultural events. At the square’s edge you’ll find “The Fishwifeâ€, a life-size bronze statue by Sebastián Miranda. Installed in 2005, the piece is a lost-wax bronze enlargement of an earlier, smaller work by Miranda.
It shows a seated vendor in a moment of pause, fish at her feet—an image rooted in Oviedo’s commercial past and in the figure of Saturnina Requejo, “The Cachuchaâ€, whom the artist also portrayed in other works. Nearby, another bronze—Fish Seller by José Antonio GarcÃa Prieto, 1996—reinforces the market theme and links the artworks to the former fish hall opposite.
The sculpture is easy to approach for photos and is often part of a relaxed circuit through the square’s cafés and lanes, set within a compact, walkable square that still hosts exhibitions and small events.
It shows a seated vendor in a moment of pause, fish at her feet—an image rooted in Oviedo’s commercial past and in the figure of Saturnina Requejo, “The Cachuchaâ€, whom the artist also portrayed in other works. Nearby, another bronze—Fish Seller by José Antonio GarcÃa Prieto, 1996—reinforces the market theme and links the artworks to the former fish hall opposite.
The sculpture is easy to approach for photos and is often part of a relaxed circuit through the square’s cafés and lanes, set within a compact, walkable square that still hosts exhibitions and small events.
3) Vendedor de Pescado (Fish Seller)
The Fish Seller is among Oviedo’s most popular public sculptures, placed next to the old fish market. Created in bronze in 1996 by José Antonio GarcÃa Prieto, it depicts a vendor squatting beside a low crate of fish, serving as a tribute to the bustling trade that once defined the square. The artist later donated the work to the city.
Look closely at the figure’s pose: one hand to the mouth in a pause between sales, the other resting on a knee, as if weighing the morning’s trade. The composition’s life-size scale and textured surfaces invite close viewing, and many visitors photograph the work against the square’s colorful façades and the oval market building behind it.
If you’re passing through the area, linger a moment to circle the pedestal and read the plaque, then step back to take in how the statue sits within the square. It’s a simple scene, but it captures a local trade with warmth and precision.
Look closely at the figure’s pose: one hand to the mouth in a pause between sales, the other resting on a knee, as if weighing the morning’s trade. The composition’s life-size scale and textured surfaces invite close viewing, and many visitors photograph the work against the square’s colorful façades and the oval market building behind it.
If you’re passing through the area, linger a moment to circle the pedestal and read the plaque, then step back to take in how the statue sits within the square. It’s a simple scene, but it captures a local trade with warmth and precision.
4) Plaza Trascorrales. La Lechera (The Milkmaid)
Trascorrales Square is a small, stone-paved square edged by colourful façades and café terraces. At its heart stands The Milkmaid sculpture, a bronze group depicting a woman and her donkey with metal churns—an everyday scene from Asturias a few decades ago. Created by Manuel GarcÃa Linares in 1996, the work is one of the city’s most-loved public sculptures and a gentle tribute to the women who brought fresh milk into Oviedo until the 1970s.
The square grew around a 19th-century market building, known as the old fish market. Designed in the 1860s and now restored, it serves today as a municipal cultural venue hosting exhibitions, fairs, and occasional concerts. Visitors typically pause at The Milkmaid for photos, then wander the arcades and cafés nearby. When the venue is open, you can also step into the market hall for temporary shows.
The square grew around a 19th-century market building, known as the old fish market. Designed in the 1860s and now restored, it serves today as a municipal cultural venue hosting exhibitions, fairs, and occasional concerts. Visitors typically pause at The Milkmaid for photos, then wander the arcades and cafés nearby. When the venue is open, you can also step into the market hall for temporary shows.
5) La Regenta (The Regent)
The Regent is a bronze sculpture created in 1997 by Asturian artist Mauro Ãlvarez Fernández. It depicts Ana Ozores, the protagonist of The Regent’s Wife, the renowned realist novel by Leopoldo Alas ClarÃn. The story is set in the fictional city of Vetusta, a thinly veiled representation of Oviedo.
As one of the most photographed public sculptures in Spain, it also serves as a powerful homage to Oviedo’s literary tradition, firmly rooting The Regent’s Wife in the city’s cultural memory. The surrounding square is thoughtfully designed, with the Gothic silhouette of the cathedral providing a dramatic backdrop.
As one of the most photographed public sculptures in Spain, it also serves as a powerful homage to Oviedo’s literary tradition, firmly rooting The Regent’s Wife in the city’s cultural memory. The surrounding square is thoughtfully designed, with the Gothic silhouette of the cathedral providing a dramatic backdrop.
6) Plaza Porlier De Oviedo. Sculpture of the Traveler
Porlier Square is one of the city’s most elegant and historically resonant squares. It's flanked by stunning Baroque and Neoclassical architecture—most notably the Camposagrado Palace, now the seat of Asturias’s High Court, the Count of Toreno palace, and you can even glimpse Oviedo Cathedral from its perimeter.
Installed in 1993, the central attraction is the bronze sculpture The Traveler. Created by acclaimed Spanish artist Eduardo Úrculo, the life-sized piece portrays a lone man in an overcoat and fedora, surrounded by suitcases and an umbrella—as if he had just arrived in the city.
While the square’s architecture speaks to Oviedo’s refined urban history, The Traveler conveys a different narrative—one of movement, return, and curiosity. It's a work intimately tied to Úrculo’s fascination with travel motifs—such as hats, luggage, and the urban wanderer—which recur throughout his sculptures.
Installed in 1993, the central attraction is the bronze sculpture The Traveler. Created by acclaimed Spanish artist Eduardo Úrculo, the life-sized piece portrays a lone man in an overcoat and fedora, surrounded by suitcases and an umbrella—as if he had just arrived in the city.
While the square’s architecture speaks to Oviedo’s refined urban history, The Traveler conveys a different narrative—one of movement, return, and curiosity. It's a work intimately tied to Úrculo’s fascination with travel motifs—such as hats, luggage, and the urban wanderer—which recur throughout his sculptures.
7) Statue of Archbishop Fernando de Valdés Salas
The Statue of Archbishop Fernando de Valdés Salas stands in the cloister of the Historic Building of the University of Oviedo. Created by the Oviedo-born sculptor Cipriano Folgueras Doiztúa and unveiled in 1908, the seated bronze depicts the university’s founder with formal robes and a measured, academic air. The plinth inscription identifies him plainly as the institution’s benefactor.
Valdés Salas was a powerful churchman and jurist: professor and later chancellor, bishop in several dioceses, archbishop of Seville, president of the Council of Castile, and Inquisitor General under Philip II. His legacy is complex—he promoted education and endowed the Asturian university, but he also authored the 1559 Index of Forbidden Books and led high-profile inquisitorial cases.
For visitors, the statue offers a quick snapshot of Oviedo’s academic history. The quiet, arcaded courtyard frames the figure and makes an easy photo stop during a walk through the Old Town.
Valdés Salas was a powerful churchman and jurist: professor and later chancellor, bishop in several dioceses, archbishop of Seville, president of the Council of Castile, and Inquisitor General under Philip II. His legacy is complex—he promoted education and endowed the Asturian university, but he also authored the 1559 Index of Forbidden Books and led high-profile inquisitorial cases.
For visitors, the statue offers a quick snapshot of Oviedo’s academic history. The quiet, arcaded courtyard frames the figure and makes an easy photo stop during a walk through the Old Town.
8) Plaza del Carbayón. Concord Monument
Carbayón Square is a compact space, just off the Campoamo Theater, where festival crowds spill through during major cultural events. Its focal point is the Concord Monument, a bronze work by sculptor Esperanza d’Ors installed in 1997. The piece groups six human figures—three men and three women—arranged in pairs, a clear, modern allegory of unity.
The square’s name reaches further back. “Carbayón†recalls the great oak that once stood at the lower edge of the San Francisco Park and gave Oviedo’s residents their informal nickname. The oak was cut down on October 2, 1879, a move that stirred considerable controversy. Today, a plaque on nearby UrÃa Street recalls its location, while a smaller replacement, was planted beside the Campoamor gardens in 1950.
The square’s name reaches further back. “Carbayón†recalls the great oak that once stood at the lower edge of the San Francisco Park and gave Oviedo’s residents their informal nickname. The oak was cut down on October 2, 1879, a move that stirred considerable controversy. Today, a plaque on nearby UrÃa Street recalls its location, while a smaller replacement, was planted beside the Campoamor gardens in 1950.
9) La Pensadora (The Thinker)
The Thinker is a contemplative bronze figure by local sculptor José Luis Fernández. Installed in 1999, this larger-than-life piece stands at approximately 2.75 m tall and weighs around 700 kg, making it a focal point near the east side of the Campoamor Theatre. Fernández originally created the smaller wooden carving—titled “Seated Woman†—around 1968 or 1976 as part of his retrospective 30 Years of Sculpture.
The bronze version you see today is a faithful expansion that visualizes the same figure: a seated woman gazing toward the horizon, lost in thought, arms and posture suggesting quiet introspection. This elegantly minimalist sculpture offers more than aesthetic pleasure—it invites onlookers to consider the emotional and psychological weight of quiet reflection.
The bronze version you see today is a faithful expansion that visualizes the same figure: a seated woman gazing toward the horizon, lost in thought, arms and posture suggesting quiet introspection. This elegantly minimalist sculpture offers more than aesthetic pleasure—it invites onlookers to consider the emotional and psychological weight of quiet reflection.
10) Esperanza Caminando (Walk of Hope)
The graceful bronze sculpture Walk of Hope by the esteemed sculptor Julio López Hernández stands beneath a streetlamp of the Campoamor Theater, softly illuminating the theater’s entrance. Installed in October 1998, this is the only public work by López Hernández in Oviedo.
Depicting a young woman absorbed in reading while walking, the statue captures a moment of intellectual escape. She clutches a book, a folder, and a notebook, walking onward seemingly oblivious to the world around her—a poetic nod to Oviedo’s university traditions and its association with learning and hope.
Depicting a young woman absorbed in reading while walking, the statue captures a moment of intellectual escape. She clutches a book, a folder, and a notebook, walking onward seemingly oblivious to the world around her—a poetic nod to Oviedo’s university traditions and its association with learning and hope.
11) Las Meninas (The Girls)
The Girls are a contemporary homage to Diego Velázquez’s iconic masterpiece, Las Meninas painting, also translated as The Girls. Created by the celebrated Spanish sculptor Manolo Valdés, this ensemble of bronze figures was commissioned in 2005 to commemorate the 125th anniversary of the Cajastur Cultural Center and took over a year to design and cast into 21 individual statues.
These bronzed girls show a modern, abstract silhouette of courtly ladies, inspired not only by Velázquez but also by modern masters like Picasso, Matisse, and Rubens. With their generous forms and retro, playful presence, these figures bring a refreshing reinterpretation of the Baroque original. Valdés’s intent was to draw on art history while imprinting his distinctive stylistic touch—bold shapes in motion, rich volume, and a sense of monumental elegance.
These bronzed girls show a modern, abstract silhouette of courtly ladies, inspired not only by Velázquez but also by modern masters like Picasso, Matisse, and Rubens. With their generous forms and retro, playful presence, these figures bring a refreshing reinterpretation of the Baroque original. Valdés’s intent was to draw on art history while imprinting his distinctive stylistic touch—bold shapes in motion, rich volume, and a sense of monumental elegance.
12) Encarna con Chiquitin (Embodied with a Little Boy)
The bronze sculpture Embodied with a Little Boy was created by acclaimed Asturian artist Sebastián Miranda. While the original piece was completed in 1955, the version currently on display is a larger replica that was installed by the city in September 2005, almost three decades after the sculptor’s passing.
Miranda crafted this work as a tribute to motherhood, capturing a tender moment: a seated woman breastfeeding her child held upon her knees. Visitors often pause nearby to admire the delicate folds of cloth, the posture of the figures, and the connection conveyed through the form. The statue is part of a larger tapestry of over a hundred public artworks spread across Oviedo’s urban center—making the city feel like an open-air museum.
Miranda crafted this work as a tribute to motherhood, capturing a tender moment: a seated woman breastfeeding her child held upon her knees. Visitors often pause nearby to admire the delicate folds of cloth, the posture of the figures, and the connection conveyed through the form. The statue is part of a larger tapestry of over a hundred public artworks spread across Oviedo’s urban center—making the city feel like an open-air museum.
13) La Maternidad (The Motherhood)
The Motherhood, nicknamed “La Gorda†by locals, meaning “the fat woman", was crafted by the renowned Colombian artist Fernando Botero. Botero produced La Maternidad in 1989, though it wasn’t installed until the mid-1990s. The piece is nearly 2.46 meters tall and weighs around 800 kg, with a polished dark finish and the voluptuous, rounded forms typical of Botero’s style.
It portrays a seated mother holding her child on one thigh—both figures are plump and exaggerated, evoking warmth, fertility, and the sculptor’s critical, ironic vision of form and volume. As you admire it, take a moment to ponder how Botero’s style transforms everyday themes into monumental statements. More than just public art, The Motherhood has become an iconic meeting point and city symbol.
It portrays a seated mother holding her child on one thigh—both figures are plump and exaggerated, evoking warmth, fertility, and the sculptor’s critical, ironic vision of form and volume. As you admire it, take a moment to ponder how Botero’s style transforms everyday themes into monumental statements. More than just public art, The Motherhood has become an iconic meeting point and city symbol.
14) Statue of Mafalda
The Statue of Mafalda sits on a bench in Oviedo’s San Francisco Park, right by the duck pond. It shows the famous Argentine comic-strip character smiling in her red dress. The piece was created by Argentine sculptor Pablo Irrgang and installed in 2014 as a tribute to Mafalda’s creator, JoaquÃn Salvador Lavado.
Its unveiling coincided with the year the creator received the Prince of Asturias Award for Communication and Humanities, and he attended the presentation in Oviedo. Unlike many of Oviedo’s bronzes, Mafalda is made in resin and fiberglass over a modeled core—materials that help the small, bench-seated figure withstand the weather and constant stream of visitors.
Its unveiling coincided with the year the creator received the Prince of Asturias Award for Communication and Humanities, and he attended the presentation in Oviedo. Unlike many of Oviedo’s bronzes, Mafalda is made in resin and fiberglass over a modeled core—materials that help the small, bench-seated figure withstand the weather and constant stream of visitors.
15) Woody Allen Statue
The life‑size bronze Statue of Woody Allen is a captivating tribute to the celebrated American filmmaker, screenwriter, and director. Created by Asturian sculptor Vicente Santarúa and unveiled in May 2003, the statue commemorates Allen’s reception of the Prince of Asturias Award for the Arts in 2002 and his affection for the city.
The sculpture presents Allen strolling through National Militias Street. His pose captures a mood of thoughtful introspection: one hand in his pocket, the other at his side, head tilted, his expression almost melancholic, as if lost in contemplation. Locals joke that he seems ready to answer if you strike up a conversation.
At the statue’s base, a plaque displays Allen’s evocative description of Oviedo: “Oviedo is a delicious city, exotic, beautiful, clean, pleasant, calm and pedestrianised; it is as if it did not belong to this world… Oviedo is like a fairy tale.â€
Although created to honor his words about the city, the statue has also drawn its share of controversy. Not long after its installation, it was vandalized several times—especially the glasses—leading the city council to scale back repairs. For visitors, however, the Woody Allen monument stands as more than a photo stop, it reflects Oviedo’s dialogue with global culture.
The sculpture presents Allen strolling through National Militias Street. His pose captures a mood of thoughtful introspection: one hand in his pocket, the other at his side, head tilted, his expression almost melancholic, as if lost in contemplation. Locals joke that he seems ready to answer if you strike up a conversation.
At the statue’s base, a plaque displays Allen’s evocative description of Oviedo: “Oviedo is a delicious city, exotic, beautiful, clean, pleasant, calm and pedestrianised; it is as if it did not belong to this world… Oviedo is like a fairy tale.â€
Although created to honor his words about the city, the statue has also drawn its share of controversy. Not long after its installation, it was vandalized several times—especially the glasses—leading the city council to scale back repairs. For visitors, however, the Woody Allen monument stands as more than a photo stop, it reflects Oviedo’s dialogue with global culture.
16) Luis Riera Posada Statue
The statue of Luis Riera Posada is a tribute to one of the city’s most beloved democratic mayors. This bronze sculpture portrays Riera Posada seated on a bench, exuding warmth and familiarity. It's an inviting landmark in the bustling heart of the city center. Crafted by Asturian sculptor Manuel GarcÃa Linares, the statue was unveiled on 24 July 2008 after funds were raised through a public collection organized by his close friends and colleagues.
Luis Riera Posada played a pivotal role as Oviedo’s first democratically elected mayor, serving from 1979 to 1983. A respected lawyer and civic leader, he also held positions in the Bar Association and the Asturian Cultural Centre, leading local sports and cultural organizations. Under his leadership, key improvements such as paved roads and better water systems took place, elevating the city’s infrastructure in the transition to democracy.
The sculpture portrays Riera Posada in an informal seated pose, with his legs crossed and arms resting naturally, accompanied by two meaningful items: a guidebook of Oviedo and an issue of The Carbayón, a local newspaper—both emblematic of his deep ties to the city.
Luis Riera Posada played a pivotal role as Oviedo’s first democratically elected mayor, serving from 1979 to 1983. A respected lawyer and civic leader, he also held positions in the Bar Association and the Asturian Cultural Centre, leading local sports and cultural organizations. Under his leadership, key improvements such as paved roads and better water systems took place, elevating the city’s infrastructure in the transition to democracy.
The sculpture portrays Riera Posada in an informal seated pose, with his legs crossed and arms resting naturally, accompanied by two meaningful items: a guidebook of Oviedo and an issue of The Carbayón, a local newspaper—both emblematic of his deep ties to the city.
17) Mavi
Mavi, first installed in 1994, is a poignant sculpture by Santiago de Santiago crafted from volcanic stone with bronze detailing. It presents a young woman in an intimate, kneeling posture, hand covering her face in a gesture both vulnerable and mesmerizing. The figure of Mavi—slumped in a semi-fetal position, one hand shielding her face, and the other gripping her shin—evokes a sense of introspection and emotional weight.
Positioned beside a fountain, the sculpture once punctuated the lively Longoria Carbajal Square until being replaced in the square by a new work in 2009. Following the redesign, Mavi was relocated to its current place at the request of local residents and now continues to captivate visitors in its new setting.
Positioned beside a fountain, the sculpture once punctuated the lively Longoria Carbajal Square until being replaced in the square by a new work in 2009. Following the redesign, Mavi was relocated to its current place at the request of local residents and now continues to captivate visitors in its new setting.
18) Guisandera (The Stew Pot)
The bronze sculpture known as The Stew Pot pays tribute to generations of Asturian women dedicated to the humble art of cooking. Created in 2000 by sculptor MarÃa Luisa Sánchez‑Ocaña, the installation depicts a steamy kitchen scene: a woman at the pot and a curious little girl by her side.
The sculpture honors the stewmistresses who historically cooked for communities, homes, inns, and sidrerÃas in Asturias. Their work—often unsung, domestic, and patient—was essential in preserving regional gastronomic traditions and nourishing countless families.
Positioned in one of Oviedo’s most iconic gastronomic quarters, the monument serves as a cultural stop between visits to cider bars and traditional tapas spots.
The sculpture honors the stewmistresses who historically cooked for communities, homes, inns, and sidrerÃas in Asturias. Their work—often unsung, domestic, and patient—was essential in preserving regional gastronomic traditions and nourishing countless families.
Positioned in one of Oviedo’s most iconic gastronomic quarters, the monument serves as a cultural stop between visits to cider bars and traditional tapas spots.
19) La Gitana (The Gypsy Woman)
The Gypsy Woman is a bronze sculpture that has become a beloved fixture of the city’s streetscape. Created by local sculptor Sebastián Miranda y Pérez‑Herce, the statue is a larger-than-life replica of an earlier work now housed in Málaga city. This version was commissioned and installed in 2005 at the request of the SidrerÃas Association on Calle Gascona, to complement Oviedo’s open-air gallery of sculptures.
The statue features a weathered Roma woman, dressed in modest, rustic clothing with a headscarf, standing upright as she supports a basket at her hip—an homage to Miranda’s lifelong fascination with gypsy themes and figures.
You’ll find the Gypsy Woman positioned at the northern entrance to the Sidra Boulevard—a hub of Asturian cider culture and lively sidrerÃas and eateries. The statue is mounted on a stone plinth and accompanied by a small plaque inscribed with: “GITANA / Sebastián Miranda / Ovetense / 1885–1975â€.
The statue features a weathered Roma woman, dressed in modest, rustic clothing with a headscarf, standing upright as she supports a basket at her hip—an homage to Miranda’s lifelong fascination with gypsy themes and figures.
You’ll find the Gypsy Woman positioned at the northern entrance to the Sidra Boulevard—a hub of Asturian cider culture and lively sidrerÃas and eateries. The statue is mounted on a stone plinth and accompanied by a small plaque inscribed with: “GITANA / Sebastián Miranda / Ovetense / 1885–1975â€.
Walking Tours in Oviedo, Spain
Create Your Own Walk in Oviedo
Creating your own self-guided walk in Oviedo is easy and fun. Choose the city attractions that you want to see and a walk route map will be created just for you. You can even set your hotel as the start point of the walk.
Oviedo Introduction Walking Tour
The Kingdom of Asturias began in 720, with the Visigothic revolt against Muslim rule led by the nobleman Pelagius. At that time, the city of Oviedo did not exist. Two monks, Maximo and Fromestano, founded the city in 761. They built a small church for Saint Vincent on a bare hillside, and from this seed, Oviedo grew.
After Pelagius died in 737, King Alfonso I founded a dynasty in Oviedo that... view more
Tour Duration: 1 Hour(s)
Travel Distance: 1.8 Km or 1.1 Miles
After Pelagius died in 737, King Alfonso I founded a dynasty in Oviedo that... view more
Tour Duration: 1 Hour(s)
Travel Distance: 1.8 Km or 1.1 Miles
Oviedo Historic Architecture
The north Spanish region of Asturias and particularly its capital city, Oviedo, have long been noted for their unique architecture. The medieval part of town, whose ancient walls are still largely intact, contains some truly priceless relics. Among them is a well called La Foncalada, a fascinating example of an effective hydraulic system, dating back to the first half of the 9th century, based on... view more
Tour Duration: 2 Hour(s)
Travel Distance: 2.7 Km or 1.7 Miles
Tour Duration: 2 Hour(s)
Travel Distance: 2.7 Km or 1.7 Miles
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