In Galileo's Footsteps (Self Guided), Florence
Galileo Galilei—born in Pisa in 1564—spent much of his life in and around Florence, where some of the most defining moments of his revolutionary career unfolded. A genius of many talents—physicist, mathematician, astronomer, inventor—he helped usher in the scientific revolution and reshape humanity’s understanding of the universe. Florence, the cradle of the Renaissance, became a backdrop for both his triumphs and his trials.
This self-guided walking tour brings you face to face with the places that shaped—and were shaped by—Galileo’s legacy, including the house that bears his name. Though you can’t go inside, a commemorative plaque reminds visitors that Galileo once lived and worked there, particularly during his years under the patronage of the Medici family as their court scientist.
In the elegant Uffizi Courtyard, the statues of Italy’s intellectual greats line the colonnades. Among them, Galileo stands tall—acknowledged not just for his discoveries, but for the pursuit of truth in the face of authority.
A short walk leads you to the Museo Galileo, a treasure trove of scientific wonders. Here, you'll find original telescopes, instruments, and detailed models—tangible echoes of the mind that forever changed how we look at the stars. The exhibits also reflect the tension between science and belief, offering insight into Galileo’s clash with the Catholic Church.
Further out, in the hills surrounding the city, you’ll discover two retreats that offered moments of peace and reflection. The so-called Jewel Villa, where Galileo spent his final years under house arrest, remains a quiet monument to endurance. Despite blindness and confinement, he continued his research here, guided by inner light when the world dimmed around him.
Galileo died in 1642, and although his burial there was initially controversial due to the Church’s condemnation of his ideas, he was eventually given a monumental tomb in the Basilica of the Holy Cross, often called the “Temple of the Italian Glories.” Today, his remains lie beneath a striking marble monument, facing that of Michelangelo—two titans of their respective fields, symbolically reunited in death.
Walk this self-guided path not just to follow Galileo’s footsteps, but to see how the boldness of one mind still pulses through Florence. Let curiosity guide you—because the best way to honor a man who measured the stars is to keep wondering.
This self-guided walking tour brings you face to face with the places that shaped—and were shaped by—Galileo’s legacy, including the house that bears his name. Though you can’t go inside, a commemorative plaque reminds visitors that Galileo once lived and worked there, particularly during his years under the patronage of the Medici family as their court scientist.
In the elegant Uffizi Courtyard, the statues of Italy’s intellectual greats line the colonnades. Among them, Galileo stands tall—acknowledged not just for his discoveries, but for the pursuit of truth in the face of authority.
A short walk leads you to the Museo Galileo, a treasure trove of scientific wonders. Here, you'll find original telescopes, instruments, and detailed models—tangible echoes of the mind that forever changed how we look at the stars. The exhibits also reflect the tension between science and belief, offering insight into Galileo’s clash with the Catholic Church.
Further out, in the hills surrounding the city, you’ll discover two retreats that offered moments of peace and reflection. The so-called Jewel Villa, where Galileo spent his final years under house arrest, remains a quiet monument to endurance. Despite blindness and confinement, he continued his research here, guided by inner light when the world dimmed around him.
Galileo died in 1642, and although his burial there was initially controversial due to the Church’s condemnation of his ideas, he was eventually given a monumental tomb in the Basilica of the Holy Cross, often called the “Temple of the Italian Glories.” Today, his remains lie beneath a striking marble monument, facing that of Michelangelo—two titans of their respective fields, symbolically reunited in death.
Walk this self-guided path not just to follow Galileo’s footsteps, but to see how the boldness of one mind still pulses through Florence. Let curiosity guide you—because the best way to honor a man who measured the stars is to keep wondering.
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In Galileo's Footsteps Map
Guide Name: In Galileo's Footsteps
Guide Location: Italy » Florence (See other walking tours in Florence)
Guide Type: Self-guided Walking Tour (Sightseeing)
# of Attractions: 6
Tour Duration: 3 Hour(s)
Travel Distance: 8.0 Km or 5 Miles
Author: greghasleft
Sight(s) Featured in This Guide:
Guide Location: Italy » Florence (See other walking tours in Florence)
Guide Type: Self-guided Walking Tour (Sightseeing)
# of Attractions: 6
Tour Duration: 3 Hour(s)
Travel Distance: 8.0 Km or 5 Miles
Author: greghasleft
Sight(s) Featured in This Guide:
- Piazzale degli Uffizi (Uffizi Courtyard)
- Museo Galileo (Galileo Museum)
- Basilica di Santa Croce (Basilica of the Holy Cross)
- Casa di Galileo Galilei (House of Galileo Galilei on Costa San Giorgio)
- Villa dell'Ombrellino (Villa of the Little Umbrella)
- Villa Il Gioiello (The Jewel Villa)
1) Piazzale degli Uffizi (Uffizi Courtyard)
The Uffizi Courtyard is a grand and elegant space in the heart of Florence, framed by the historic Uffizi Gallery. Before its transformation, this area was far from refined—home to tanners, dyers, and widespread prostitution, earning it the Red-Light District nickname. Seeking to bring order and centralization to the city’s administration, Cosimo de’ Medici commissioned Giorgio Vasari in 1560 to design a new building that would house all major public offices near his residence at the Old Palace. Inspired by Venetian architecture, Vasari created a symmetrical row of buildings with graceful arches and columns, transforming the area into one of structured beauty and civic pride.
After Vasari’s death, construction continued, and by 1580, the Uffizi complex was connected to nearby buildings like the Mint and the Loggia dei Lanzi. The addition of the Vasari Corridor, an elevated walkway leading from the Uffizi to the Pitti Palace, allowed the Medici family to traverse the city in private. Today, the courtyard is a lively and symbolic space—bridging Florence’s gritty past with its Renaissance grandeur. It serves as both a cultural landmark and a busy walkway, often animated by artists, musicians, and the steady stream of visitors heading toward one of the world’s most important art museums.
Outside the Uffizi Gallery, twenty-eight marble statues of prominent Tuscans line the niches of the portico’s pillars, including four that overlook the Arno along Lungarno Anna Maria Luisa de' Medici; these sculptures, completed between 1842 and 1856 by some of the finest artists of the era, celebrate the region’s intellectual and artistic legacy. At the far end of the courtyard, just to the right of the archway leading to the Arno embankment, stands a full-length statue of Galileo Galilei, gazing thoughtfully skyward with a telescope in hand—a tribute sculpted by Aristodemus Costoli and gifted by Crown Prince Ferdinand, located on the square-facing side of the Verone Loggia.
After Vasari’s death, construction continued, and by 1580, the Uffizi complex was connected to nearby buildings like the Mint and the Loggia dei Lanzi. The addition of the Vasari Corridor, an elevated walkway leading from the Uffizi to the Pitti Palace, allowed the Medici family to traverse the city in private. Today, the courtyard is a lively and symbolic space—bridging Florence’s gritty past with its Renaissance grandeur. It serves as both a cultural landmark and a busy walkway, often animated by artists, musicians, and the steady stream of visitors heading toward one of the world’s most important art museums.
Outside the Uffizi Gallery, twenty-eight marble statues of prominent Tuscans line the niches of the portico’s pillars, including four that overlook the Arno along Lungarno Anna Maria Luisa de' Medici; these sculptures, completed between 1842 and 1856 by some of the finest artists of the era, celebrate the region’s intellectual and artistic legacy. At the far end of the courtyard, just to the right of the archway leading to the Arno embankment, stands a full-length statue of Galileo Galilei, gazing thoughtfully skyward with a telescope in hand—a tribute sculpted by Aristodemus Costoli and gifted by Crown Prince Ferdinand, located on the square-facing side of the Verone Loggia.
2) Museo Galileo (Galileo Museum)
A visit to this museum is a deep dive into the legacy of Galileo Galilei, the brilliant scientist born in Pisa in 1564, remembered for his groundbreaking work in astronomy, physics, and motion. Inside, you’ll discover a captivating collection of scientific instruments, including Galileo’s original telescopes and the very lens he used to observe the moons of Jupiter, changing our understanding of the universe forever. Large-scale reconstructions of his experiments—on motion, gravity, and acceleration—can also be found throughout the galleries, and from time to time, staff members offer live demonstrations that bring these ideas vividly to life.
In 1657, Florence honored Galileo by founding the Academy for Experimentation, the world’s first scientific institute of its kind. Several of the academy’s earliest innovations are also on display here, including some of the first thermometers, hygrometers, and barometers ever made.
Among other highlights, keep an eye out for the 1554 world map by Portuguese cartographer Lopo Homem, an intricately detailed piece of Renaissance geography. There’s also a fascinating array of nautical tools designed by Sir Robert Dudley, an English marine engineer who worked unde the Medici dukes to help develop the port of Livorno.
Those drawn to English literature will uncover unexpected connections, while fans of design and craftsmanship will appreciate the artistic beauty found in these early scientific devices. For engineers and inventors, the museum is a playground of historical innovation. And while it leans more toward observation than interaction, students and and curious minds of all ages will find plenty to engage with.
If you're visiting during Florence’s warmer months, here’s a modern-day bonus: your ticket includes access to one of the city’s rarest luxuries—air-conditioning.
In 1657, Florence honored Galileo by founding the Academy for Experimentation, the world’s first scientific institute of its kind. Several of the academy’s earliest innovations are also on display here, including some of the first thermometers, hygrometers, and barometers ever made.
Among other highlights, keep an eye out for the 1554 world map by Portuguese cartographer Lopo Homem, an intricately detailed piece of Renaissance geography. There’s also a fascinating array of nautical tools designed by Sir Robert Dudley, an English marine engineer who worked unde the Medici dukes to help develop the port of Livorno.
Those drawn to English literature will uncover unexpected connections, while fans of design and craftsmanship will appreciate the artistic beauty found in these early scientific devices. For engineers and inventors, the museum is a playground of historical innovation. And while it leans more toward observation than interaction, students and and curious minds of all ages will find plenty to engage with.
If you're visiting during Florence’s warmer months, here’s a modern-day bonus: your ticket includes access to one of the city’s rarest luxuries—air-conditioning.
3) Basilica di Santa Croce (Basilica of the Holy Cross) (must see)
Santa Croce is one of the most celebrated Franciscan churches in the world and a jewel of Gothic architecture in Florence. Built over the 13th and 14th centuries, it’s often called the “Temple of Italian Glories”—and for good reason. This is where some of Italy’s greatest minds and artists are buried—among them Michelangelo, Galileo, Machiavelli, the poet Foscolo, and the composer Rossini.
Michelangelo’s journey back to Florence after death is itself the stuff of legend. Though he died in Rome, Cosimo de’ Medici made sure his remains returned home. The Medici ruler, unable to properly honor the artist in life, vowed to do so in death—and, to this end, commissioned an elaborate tomb. Designed by Giorgio Vasari, the tomb took 14 years to complete and features symbols tied to Michelangelo’s creative legacy. Three laurel wreaths represent his mastery of painting, sculpture, and architecture, each mourned by a figure carved in deep sorrow below his bust.
Galileo’s story follows a similarly complicated path. Though he died in 1642, his tomb wasn’t built until nearly a century later, in 1737, now facing Michelangelo’s across the nave. It’s adorned with allegorical figures representing Astronomy and Geometry, and quietly also includes the tomb of his daughter, Maria Celeste—though her presence often goes unnoticed.
Dante, however, remains absent. While Florence tried for years to reclaim his remains, the poet still lies in Ravenna, the city that welcomed him after exile. Here in Santa Croce, an empty sarcophagus stands in his honor, and a grand statue was erected outside the church in 1865 for his 600th birth anniversary.
The interior is filled with masterpieces by Giotto, Donatello, Vasari, Canova, and others too numerous to list in one breath. Outside, the tranquil cloisters and green courtyard offer a quiet space to pause or sketch, while the square hosts everything from live concerts to raucous games of Florentine “rugby.”
Tip: Be sure to stop by the Leather School just behind the church. You can watch apprentices at work and maybe find a unique handmade piece to take home. Just remember: modest attire is required—no bare shoulders or short shorts, especially for women, as the dress code is firmly enforced.
Michelangelo’s journey back to Florence after death is itself the stuff of legend. Though he died in Rome, Cosimo de’ Medici made sure his remains returned home. The Medici ruler, unable to properly honor the artist in life, vowed to do so in death—and, to this end, commissioned an elaborate tomb. Designed by Giorgio Vasari, the tomb took 14 years to complete and features symbols tied to Michelangelo’s creative legacy. Three laurel wreaths represent his mastery of painting, sculpture, and architecture, each mourned by a figure carved in deep sorrow below his bust.
Galileo’s story follows a similarly complicated path. Though he died in 1642, his tomb wasn’t built until nearly a century later, in 1737, now facing Michelangelo’s across the nave. It’s adorned with allegorical figures representing Astronomy and Geometry, and quietly also includes the tomb of his daughter, Maria Celeste—though her presence often goes unnoticed.
Dante, however, remains absent. While Florence tried for years to reclaim his remains, the poet still lies in Ravenna, the city that welcomed him after exile. Here in Santa Croce, an empty sarcophagus stands in his honor, and a grand statue was erected outside the church in 1865 for his 600th birth anniversary.
The interior is filled with masterpieces by Giotto, Donatello, Vasari, Canova, and others too numerous to list in one breath. Outside, the tranquil cloisters and green courtyard offer a quiet space to pause or sketch, while the square hosts everything from live concerts to raucous games of Florentine “rugby.”
Tip: Be sure to stop by the Leather School just behind the church. You can watch apprentices at work and maybe find a unique handmade piece to take home. Just remember: modest attire is required—no bare shoulders or short shorts, especially for women, as the dress code is firmly enforced.
4) Casa di Galileo Galilei (House of Galileo Galilei on Costa San Giorgio)
This remarkable residence tied to the life of the renowned astronomer and physicist, situated in the historic Oltrarno district, was part of a group of homes acquired by the Galilei family. Galileo himself helped purchase it as a wedding gift for his son in 1629. His name remained on the deeds, and he appears to have lived there for extended periods during his final years, cared for by his son’s household. At some point, he also bought the neighboring house.
The home is easily identifiable thanks to its decorative facade, which features a coat of arms of the Galilei family and a frescoed medallion portrait of Galileo, as well as a commemorative marble plaque marking a visit from Grand Duke Ferdinand II. Adding to the property’s historical value, a sundial attributed to Galileo himself still exists on the rear facade of the building. Installed around 1620, this timekeeping instrument reflects Galileo’s keen interest in astronomical tools and measurements.
Although the scientist is more famously associated with his later residence, the Jewel Villa in Arcetri, the Costa San Giorgio house carries deep historical resonance, particularly for those interested in his Florentine years and family life. One fascinating anecdote tied to it dates back to May 1633, during a time when the plague was sweeping through Florence. In a bid to protect the city, the revered image of the Madonna of Impruneta was carried in a solemn procession through the streets. Galileo’s house was decorated for the occasion with an elaborate altar inside the doorway and an original fountain, so striking that it was believed to be one of his inventions. Interestingly, at this very time, Galileo was in Rome, facing the Inquisition in a trial that would ultimately lead to his lifetime house confinement.
The home is easily identifiable thanks to its decorative facade, which features a coat of arms of the Galilei family and a frescoed medallion portrait of Galileo, as well as a commemorative marble plaque marking a visit from Grand Duke Ferdinand II. Adding to the property’s historical value, a sundial attributed to Galileo himself still exists on the rear facade of the building. Installed around 1620, this timekeeping instrument reflects Galileo’s keen interest in astronomical tools and measurements.
Although the scientist is more famously associated with his later residence, the Jewel Villa in Arcetri, the Costa San Giorgio house carries deep historical resonance, particularly for those interested in his Florentine years and family life. One fascinating anecdote tied to it dates back to May 1633, during a time when the plague was sweeping through Florence. In a bid to protect the city, the revered image of the Madonna of Impruneta was carried in a solemn procession through the streets. Galileo’s house was decorated for the occasion with an elaborate altar inside the doorway and an original fountain, so striking that it was believed to be one of his inventions. Interestingly, at this very time, Galileo was in Rome, facing the Inquisition in a trial that would ultimately lead to his lifetime house confinement.
5) Villa dell'Ombrellino (Villa of the Little Umbrella)
Perched on the scenic heights of Bellosguardo, the historic Villa of the Little Umbrella just outside Florence is known for its sweeping views, lush gardens, and rich cultural legacy. Originally built in 1372, it was home to the Segni family for over four centuries, including the historian Bernardo Segni; however, during the early 17th century, the villa found a notable tenant—Galileo Galilei. From 1617 to 1631, the renowned scientist lived here, preferring the hilltop quiet over the bustle of Florence. It was here that Galileo worked on "The Assayer" and his groundbreaking "Dialogue Concerning the Chief World Systems".
During his residence, Galileo conducted astronomical observations, particularly on the motions of Jupiter’s satellites—known as the Medicean planets—and collaborated with fellow scientist Benedetto Castelli. These years marked a period of intense scientific activity and innovation, preceding Galileo’s final relocation to Arcetri. The villa thus remains a significant location in the history of science, serving as the backdrop for some of the astronomer’s most critical theoretical developments.
In 1815, the villa underwent a transformation under Countess Teresa Spinelli Albizi, who added an ornate iron pavilion shaped like a Chinese umbrella to the garden terrace, thus giving the building its current name. Later, in 1874, the Russian statesman Alexei Zubov acquired the estate and merged it with the adjacent Villa Torricella, redesigning the landscape into a vast romantic park filled with exotic plants such as palm trees, bamboo, and ginkgo biloba.
By the 20th century, the garden facing Florence was reimagined as an Italian-style garden by Cecil Pinsent, a British architect known for shaping some of Tuscany’s most refined green spaces. The villa gained further notoriety in the early 1900s as the home of Alice Keppel, a well-known figure in Edwardian society, and later her daughter Violet Trefusis, a writer and socialite.
During his residence, Galileo conducted astronomical observations, particularly on the motions of Jupiter’s satellites—known as the Medicean planets—and collaborated with fellow scientist Benedetto Castelli. These years marked a period of intense scientific activity and innovation, preceding Galileo’s final relocation to Arcetri. The villa thus remains a significant location in the history of science, serving as the backdrop for some of the astronomer’s most critical theoretical developments.
In 1815, the villa underwent a transformation under Countess Teresa Spinelli Albizi, who added an ornate iron pavilion shaped like a Chinese umbrella to the garden terrace, thus giving the building its current name. Later, in 1874, the Russian statesman Alexei Zubov acquired the estate and merged it with the adjacent Villa Torricella, redesigning the landscape into a vast romantic park filled with exotic plants such as palm trees, bamboo, and ginkgo biloba.
By the 20th century, the garden facing Florence was reimagined as an Italian-style garden by Cecil Pinsent, a British architect known for shaping some of Tuscany’s most refined green spaces. The villa gained further notoriety in the early 1900s as the home of Alice Keppel, a well-known figure in Edwardian society, and later her daughter Violet Trefusis, a writer and socialite.
6) Villa Il Gioiello (The Jewel Villa)
The Jewel Villa is a historic residence located in the hills of Arcetri, just outside Florence, renowned as the final home of Galileo Galilei, having served as his place of study and confinement from 1631 until his passing in 1642. The name reflects both its scenic location near the Torre del Gallo and its architectural elegance. The structure forms a U-shape around a central courtyard, which features a loggia with slender Tuscan columns. Though the street-facing façade is simple, it bears a bust of Galileo and commemorative plaques dating from 1843 and 1942. The villa was surrounded by acres of farmland and included a separate building for laborers.
Galileo lived here during a turbulent yet productive period of his life. In 1633, the Inquisition sentenced him to house arrest for promoting the heliocentric theory. Confined from 1634, Galileo nonetheless continued his scientific work, even after becoming completely blind in 1638. He endured the emotional loss of his daughter, Sister Maria Celeste, in 1634—her convent was just next door. Their surviving correspondence (124 letters) offers a touching window into their relationship. During this time, Galileo completed "Discourses and Mathematical Demonstrations Relating to Two New Sciences", a seminal work on motion and material strength.
The villa was also a hub of intellectual exchange. Galileo was visited by Ferdinando II de’ Medici, the Dutch ambassador, and the English poet John Milton. The painter Giusto Sustermans created a portrait of him during this period. Young scientists such as Vincenzo Viviani and Evangelista Torricelli worked alongside the aging astronomer and helped preserve his legacy. Galileo's manuscripts, now housed in the National Central Library of Florence, and the villa itself, stand as enduring tributes to one of the greatest minds in scientific history.
Galileo lived here during a turbulent yet productive period of his life. In 1633, the Inquisition sentenced him to house arrest for promoting the heliocentric theory. Confined from 1634, Galileo nonetheless continued his scientific work, even after becoming completely blind in 1638. He endured the emotional loss of his daughter, Sister Maria Celeste, in 1634—her convent was just next door. Their surviving correspondence (124 letters) offers a touching window into their relationship. During this time, Galileo completed "Discourses and Mathematical Demonstrations Relating to Two New Sciences", a seminal work on motion and material strength.
The villa was also a hub of intellectual exchange. Galileo was visited by Ferdinando II de’ Medici, the Dutch ambassador, and the English poet John Milton. The painter Giusto Sustermans created a portrait of him during this period. Young scientists such as Vincenzo Viviani and Evangelista Torricelli worked alongside the aging astronomer and helped preserve his legacy. Galileo's manuscripts, now housed in the National Central Library of Florence, and the villa itself, stand as enduring tributes to one of the greatest minds in scientific history.
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