Custom Walk in Tashkent, Uzbekistan by janacaliboso_afa84 created on 2025-07-17
Guide Location: Uzbekistan » Tashkent
Guide Type: Custom Walk
# of Sights: 15
Tour Duration: 10 Hour(s)
Travel Distance: 25.5 Km or 15.8 Miles
Share Key: CFWWM
Guide Type: Custom Walk
# of Sights: 15
Tour Duration: 10 Hour(s)
Travel Distance: 25.5 Km or 15.8 Miles
Share Key: CFWWM
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Step 3. Tap the menu button located at upper right corner of the "Walks" screen and select "Retrieve custom walk". Enter the share key: CFWWM
1) Amir Timur Square (must see)
Situated in the very heart of Tashkent, Amir Temur Square (Uzbek: Amir Temur xiyoboni) is the main town square in the capital, equally popular with locals and tourists.
The square was built in 1882 by the Russian architects, Nikolai Ulyanov and Mikhail Chernyayev, on the site of a public park at the intersection of two main lanes, Moscow Street (now Amir Timur Street) and Kaufman Street (now Milza Ulugh Beg Street), and was initially called Konstantinovskaya Square.
It was not paved, getting all dusty in dry weather and muddy when it rained. In 1913, a multi-figure monument to the first Turkestan governor-general, Konstantin Kaufman, was erected here, upon which the square was renamed Kaufmansky.
After the 1917 Russian Revolution, the square was renamed once again, this time as Revolution Square; the Kaufman monument was dismantled, in 1919, but its granite pedestal remained. During the late 1940s, it was reused to accommodate the statue of Joseph Stalin, and was ultimately removed only in 1961, as part of the nationwide de-stalinization campaign. In 1968, a sculpture of Karl Marx was put in its place.
Before that, in the 1950s, the square underwent significant reconstruction. Owing to its convenient central location, it regularly drew attention of the people who wished to express their political views. Here, alongside frequent communist rallies, starting from the late 1960s, the Crimean Tatars, who were deported by Stalin to Uzbekistan in 1944, also demonstrated several times, without authorization, demanding to be allowed to return to Crimea. Throughout the 1980s, this place was a popular hangout with both 鈥済olden鈥� youth and small-time criminals, attracted by the nearby cafe-restaurant (open until late hours), several ice cream parlors, and the alleys lined with benches.
In 1994, three years into Uzbekistan's independence, the square was renamed Amir Timur. The Karl Marx monument was dismantled and a bronze equestrian statue to Tamerlane was installed. Simultaneously, all the drinking and entertainment establishments in the vicinity were liquidated in a bid to tackle crime, prostitution, and idle pastime.
In 2009, another round of comprehensive embellishment was carried out bringing in new walkways, benches and modernized lighting, as well as well chopping down some of the old trees. Their place was taken by the newly-planted sakuras, chestnut and other trees. The effort proved worthy, as, beginning from the 2010s, the area has once again become regularly crowded with townsfolk, prompting the authorities to reopen the previously closed eateries and souvenir shops.
The square was built in 1882 by the Russian architects, Nikolai Ulyanov and Mikhail Chernyayev, on the site of a public park at the intersection of two main lanes, Moscow Street (now Amir Timur Street) and Kaufman Street (now Milza Ulugh Beg Street), and was initially called Konstantinovskaya Square.
It was not paved, getting all dusty in dry weather and muddy when it rained. In 1913, a multi-figure monument to the first Turkestan governor-general, Konstantin Kaufman, was erected here, upon which the square was renamed Kaufmansky.
After the 1917 Russian Revolution, the square was renamed once again, this time as Revolution Square; the Kaufman monument was dismantled, in 1919, but its granite pedestal remained. During the late 1940s, it was reused to accommodate the statue of Joseph Stalin, and was ultimately removed only in 1961, as part of the nationwide de-stalinization campaign. In 1968, a sculpture of Karl Marx was put in its place.
Before that, in the 1950s, the square underwent significant reconstruction. Owing to its convenient central location, it regularly drew attention of the people who wished to express their political views. Here, alongside frequent communist rallies, starting from the late 1960s, the Crimean Tatars, who were deported by Stalin to Uzbekistan in 1944, also demonstrated several times, without authorization, demanding to be allowed to return to Crimea. Throughout the 1980s, this place was a popular hangout with both 鈥済olden鈥� youth and small-time criminals, attracted by the nearby cafe-restaurant (open until late hours), several ice cream parlors, and the alleys lined with benches.
In 1994, three years into Uzbekistan's independence, the square was renamed Amir Timur. The Karl Marx monument was dismantled and a bronze equestrian statue to Tamerlane was installed. Simultaneously, all the drinking and entertainment establishments in the vicinity were liquidated in a bid to tackle crime, prostitution, and idle pastime.
In 2009, another round of comprehensive embellishment was carried out bringing in new walkways, benches and modernized lighting, as well as well chopping down some of the old trees. Their place was taken by the newly-planted sakuras, chestnut and other trees. The effort proved worthy, as, beginning from the 2010s, the area has once again become regularly crowded with townsfolk, prompting the authorities to reopen the previously closed eateries and souvenir shops.
2) Mustakillik Maydoni (Independence Square) (must see)
Independence Square (Uzbek: Mustaqillik Maydoni) is a central-most and largest square in Tashkent, a place where public celebrations, military parades and other special events take place. As a matter of fact, this is more like a huge park rather than a square, replete with trees and flower beds amid monuments and fountains, a showcase of modern Uzbekistan.
The history of this place goes back over a century, to 1865, when, following the capture of Turkestan by Russia, the new imperial administration began transforming Tashkent into a European-like city. The reconstruction involved, among other things, the building of residence for the Turkestan Governor-General, the so-called "White House".
The square in front of the house was named Cathedral Square, after the Spaso-Preobrazhensky Cathedral, located on the opposite side. In the early 1930s, under the Soviets, the cathedral was demolished and the square was renamed Red. In 1936, they had a Lenin monument placed here. Twenty years later, Red Square became known as Lenin Square.
After the devastating earthquake of 1966, a radical reconstruction of the square was carried out in compliance with the general plan of resurrection of Tashkent. In 1967, a modern "concrete-and-glass" edifice of the Council of Ministers of the Uzbek SSR, on the south side of the square, was completed. The entire reconstruction was finished in 1974, on the eve of the 50th anniversary of the Uzbek SSR. That same year, the old Lenin monument was moved to Samarkand, and its place was taken by a new, bigger monument to the same Vladimir Lenin, set on top of a marble plinth that was taller than a ten-storey building.
Following Uzbekistan's independence in 1991, Lenin Square was renamed Independence Square and the bronze statue of Lenin was dismantled. Its marble plinth, however, survived and was topped with a golden globe (featuring a map of Uzbekistan), known since as the Independence Monument. Later, in front of it, another statue, of a happy mother with a child, symbolizing Motherland, was added. Installed in 2006, it marked the completion of the total reconstruction of the area.
Another notable mark, at the square's entrance, is the silver Arch of Independence, with figures of storks around the fountain. Overlooking the square from the western side there are also a number of imposing administrative buildings, such as the Council of Ministers, the Senate of Uzbekistan, and the Ministry of Finance.
The history of this place goes back over a century, to 1865, when, following the capture of Turkestan by Russia, the new imperial administration began transforming Tashkent into a European-like city. The reconstruction involved, among other things, the building of residence for the Turkestan Governor-General, the so-called "White House".
The square in front of the house was named Cathedral Square, after the Spaso-Preobrazhensky Cathedral, located on the opposite side. In the early 1930s, under the Soviets, the cathedral was demolished and the square was renamed Red. In 1936, they had a Lenin monument placed here. Twenty years later, Red Square became known as Lenin Square.
After the devastating earthquake of 1966, a radical reconstruction of the square was carried out in compliance with the general plan of resurrection of Tashkent. In 1967, a modern "concrete-and-glass" edifice of the Council of Ministers of the Uzbek SSR, on the south side of the square, was completed. The entire reconstruction was finished in 1974, on the eve of the 50th anniversary of the Uzbek SSR. That same year, the old Lenin monument was moved to Samarkand, and its place was taken by a new, bigger monument to the same Vladimir Lenin, set on top of a marble plinth that was taller than a ten-storey building.
Following Uzbekistan's independence in 1991, Lenin Square was renamed Independence Square and the bronze statue of Lenin was dismantled. Its marble plinth, however, survived and was topped with a golden globe (featuring a map of Uzbekistan), known since as the Independence Monument. Later, in front of it, another statue, of a happy mother with a child, symbolizing Motherland, was added. Installed in 2006, it marked the completion of the total reconstruction of the area.
Another notable mark, at the square's entrance, is the silver Arch of Independence, with figures of storks around the fountain. Overlooking the square from the western side there are also a number of imposing administrative buildings, such as the Council of Ministers, the Senate of Uzbekistan, and the Ministry of Finance.
3) World War II Memorial
The World War II Memorial in Tashkent is a profound tribute to Uzbekistan鈥檚 citizens who made the ultimate sacrifice during World War II. Located in Mustaqillik Maydoni, the heart of the capital, this memorial complex honors the bravery and resilience of those who fought in one of history鈥檚 darkest periods. It forms part of the Square of Memory and Honour, established in 1999, and has become a revered site for commemoration and reflection.
At its center stands a poignant sculpture of a mother mourning her sons, symbolizing the grief and sacrifice endured by countless families. An eternal flame burns beside her, representing the undying memory of the fallen. The Tomb of the Unknown Soldier, a central feature, holds the remains of an Uzbek soldier who perished during the Battle of Moscow, transferred to the Uzbek SSR in 1975 for the 30th anniversary of the war's end.
Flanking the memorial is a list of names, etched in solemn recognition of every Uzbek citizen who lost their life during the war. This meticulous record transforms the memorial into a deeply personal site for families and visitors alike. Each year on the anniversary of the Great Victory, thousands gather here with flowers to honor the heroes and reflect on the shared history of sacrifice and resilience.
Surrounded by beautifully landscaped gardens, the memorial offers a tranquil space for contemplation. Its design, steeped in history and art, invites visitors to pause and connect with the past while appreciating the enduring message of peace and unity. For those exploring Tashkent, the World War II Memorial is not just a landmark but a poignant reminder of the nation鈥檚 contributions to the global fight against tyranny.
At its center stands a poignant sculpture of a mother mourning her sons, symbolizing the grief and sacrifice endured by countless families. An eternal flame burns beside her, representing the undying memory of the fallen. The Tomb of the Unknown Soldier, a central feature, holds the remains of an Uzbek soldier who perished during the Battle of Moscow, transferred to the Uzbek SSR in 1975 for the 30th anniversary of the war's end.
Flanking the memorial is a list of names, etched in solemn recognition of every Uzbek citizen who lost their life during the war. This meticulous record transforms the memorial into a deeply personal site for families and visitors alike. Each year on the anniversary of the Great Victory, thousands gather here with flowers to honor the heroes and reflect on the shared history of sacrifice and resilience.
Surrounded by beautifully landscaped gardens, the memorial offers a tranquil space for contemplation. Its design, steeped in history and art, invites visitors to pause and connect with the past while appreciating the enduring message of peace and unity. For those exploring Tashkent, the World War II Memorial is not just a landmark but a poignant reminder of the nation鈥檚 contributions to the global fight against tyranny.
4) Kukeldash Madrasah
The ancient Kukeldash madrasah (Islamic religious school) is the largest of the 23 madrasahs found in Tashkent. It is also one of the oldest in Central Asia, built circa 1570, under the Shaybani Dynasty. Back then, the area was the southern edge of the city, and the madrasah was set upon the remains of the rampart of the southern fortress with a moat (which is now a street).
Historically, the establishment of the school has been attributed to two famous individuals of that period, namely: Qulbobo Kokaldosh, the influential minister of the Sheybanid sultan Barak Khan, and the governor of Tashkent, Darvesh Khan, nicknamed "kukeldash", which means blood brother of the khan. The opinions, as to who exactly founded and built the school, vary.
Over the years, among those who studied here have been the likes of Furqat, an Uzbek author, poet, and political activist, in 1889-1891; and Hamza, another prominent author, composer, playwright, poet, scholar, and political activist, in 1910-1911.
The two-story yellow brick building is of traditional square shape, with a huge gate and inner yard. The actual walls surrounding the inner yard are the living quarters for students 鈥� two-story dormitories in the form of cells (鈥渉ujras鈥�).
By the 1730s, the structure had fallen into disrepair and was converted to caravanserai, a roadside inn for caravaners. Following that, for a while, it served as a fortress. In 1830-1831, the first floor of the building was demolished, and the bricks were used to build the nearby Beklarbegi madrasah. It was later restored.
Several earthquakes, in 1868 and 1886, destroyed the fa莽ade, which was subsequently restored in 1902-1903. The building was reconstructed again, in the 1950s, following yet another devastating earthquake, in 1946, and was one of only few religious sites in Tashkent to survive the most recent, 1966 earthquake.
Throughout the 20th century, the building served as a museum, first of atheism, and later of folk music. In the 1990s it was made a madrasah again. As a result of numerous reconstructions, the appearance of the madrasah has changed. Despite that, it still remains a must-see attraction in Tashkent, known for its landmark gate, 20 meters (66 feet) high, flanked by two towers.
In 2008, on the occasion of the 2200th anniversary of Tashkent, the frontal part of Kukeldash received a fresh 鈥渇acelift鈥�.
Historically, the establishment of the school has been attributed to two famous individuals of that period, namely: Qulbobo Kokaldosh, the influential minister of the Sheybanid sultan Barak Khan, and the governor of Tashkent, Darvesh Khan, nicknamed "kukeldash", which means blood brother of the khan. The opinions, as to who exactly founded and built the school, vary.
Over the years, among those who studied here have been the likes of Furqat, an Uzbek author, poet, and political activist, in 1889-1891; and Hamza, another prominent author, composer, playwright, poet, scholar, and political activist, in 1910-1911.
The two-story yellow brick building is of traditional square shape, with a huge gate and inner yard. The actual walls surrounding the inner yard are the living quarters for students 鈥� two-story dormitories in the form of cells (鈥渉ujras鈥�).
By the 1730s, the structure had fallen into disrepair and was converted to caravanserai, a roadside inn for caravaners. Following that, for a while, it served as a fortress. In 1830-1831, the first floor of the building was demolished, and the bricks were used to build the nearby Beklarbegi madrasah. It was later restored.
Several earthquakes, in 1868 and 1886, destroyed the fa莽ade, which was subsequently restored in 1902-1903. The building was reconstructed again, in the 1950s, following yet another devastating earthquake, in 1946, and was one of only few religious sites in Tashkent to survive the most recent, 1966 earthquake.
Throughout the 20th century, the building served as a museum, first of atheism, and later of folk music. In the 1990s it was made a madrasah again. As a result of numerous reconstructions, the appearance of the madrasah has changed. Despite that, it still remains a must-see attraction in Tashkent, known for its landmark gate, 20 meters (66 feet) high, flanked by two towers.
In 2008, on the occasion of the 2200th anniversary of Tashkent, the frontal part of Kukeldash received a fresh 鈥渇acelift鈥�.
5) Chorsu Bazaar (must see)
Chorsu (or Charsu) Bazaar, otherwise called Eski Zhuva Bozori, is one of the largest markets in Uzbekistan. It is also the oldest one in Central Asia, known since the Middle Ages as the great place to buy groceries and other daily necessities along the Silk Road. Centuries on, the place still buzzes with activity, being equally popular with locals and tourists.
The word "Chorsu" translates from the Persian language as "crossroads" or "four streams", and indeed, Chorsu Bazaar lives up to its name, located between Alisher Navoi Avenue, Farobi and Chakhchi Imom streets.
Albeit ancient as such (it has several buildings dating back as far as the 15th-16th centuries), the market these days is famous primarily for its modern central building with a signature blue-colored dome, designed in 1980 as the late example of Soviet Modernism.
The vast 鈥� some 350 meters in diameter 鈥� domed ceiling of the market is richly covered with ornaments. The building itself is quite monumental, comprising a three-tier structure with an elevator system. The lowest tier 鈥� the basement 鈥� contains utility rooms. Merchandise stalls are located on the middle and upper floors, divided into sections: vegetables, fruits, nuts, oriental sweets, spices, cereals, etc.
There are separate pavilions for clothing and household items. Also on sale here are a huge variety of unique handicrafts, such as carpets, national costumes, ceramics and other fascinating stuff and souvenirs fit to impress anyone.
The word "Chorsu" translates from the Persian language as "crossroads" or "four streams", and indeed, Chorsu Bazaar lives up to its name, located between Alisher Navoi Avenue, Farobi and Chakhchi Imom streets.
Albeit ancient as such (it has several buildings dating back as far as the 15th-16th centuries), the market these days is famous primarily for its modern central building with a signature blue-colored dome, designed in 1980 as the late example of Soviet Modernism.
The vast 鈥� some 350 meters in diameter 鈥� domed ceiling of the market is richly covered with ornaments. The building itself is quite monumental, comprising a three-tier structure with an elevator system. The lowest tier 鈥� the basement 鈥� contains utility rooms. Merchandise stalls are located on the middle and upper floors, divided into sections: vegetables, fruits, nuts, oriental sweets, spices, cereals, etc.
There are separate pavilions for clothing and household items. Also on sale here are a huge variety of unique handicrafts, such as carpets, national costumes, ceramics and other fascinating stuff and souvenirs fit to impress anyone.
6) Barak Khan Madrasah
One of the most impressive buildings within the Hazrati Imam Complex in Tashkent is the Madrasah of Barak Khan. It was built in 1531-1532, first as a mausoleum, and then, in the middle of the 16th century, was rebuilt into a madrasah (religious educational institution) during the rule of Shibanid Navruz Ahmed Khan, nicknamed "Barak Khan", which means "lucky".
Originally, there were two mausoleums on the site: big and small. The former was a two-domed mausoleum 鈥� khanaka, built in 1530 in honor of the governor of Tashkent, Suyunchkhoja Khan (1454-1525). It was under his rule and that of his immediate heirs that the role of the Uzbek language in literature became firmly established, and Tashkent became a magnet for the intellectual elite of that time. The other mausoleum is called Nameless, for it was built for Barak Khan who was subsequently buried in Samarkand.
The artistic design of the madrasah's gate is not typical for Tashkent and is close to the architectural style of Samarkand. Its vault is made in the form of a niche 鈥� colab-kori; tympanums and piers are decorated with carved bricks and various mosaics.
The thick walls of the building are made of bricks of different sizes, clad in colorful glazed ceramic tiles, making up intricate geometrical patterns. Doors of the cells inside the madrasah are also richly decorated, with ivory and non-ferrous metals. The overall shape and decoration of the building remains unchanged, despite numerous earthquakes, thanks to the meticulous restorations carried out in 1946, 1949, 1951, and 1967.
Originally, there were two mausoleums on the site: big and small. The former was a two-domed mausoleum 鈥� khanaka, built in 1530 in honor of the governor of Tashkent, Suyunchkhoja Khan (1454-1525). It was under his rule and that of his immediate heirs that the role of the Uzbek language in literature became firmly established, and Tashkent became a magnet for the intellectual elite of that time. The other mausoleum is called Nameless, for it was built for Barak Khan who was subsequently buried in Samarkand.
The artistic design of the madrasah's gate is not typical for Tashkent and is close to the architectural style of Samarkand. Its vault is made in the form of a niche 鈥� colab-kori; tympanums and piers are decorated with carved bricks and various mosaics.
The thick walls of the building are made of bricks of different sizes, clad in colorful glazed ceramic tiles, making up intricate geometrical patterns. Doors of the cells inside the madrasah are also richly decorated, with ivory and non-ferrous metals. The overall shape and decoration of the building remains unchanged, despite numerous earthquakes, thanks to the meticulous restorations carried out in 1946, 1949, 1951, and 1967.
7) Hazrati Imam Complex (must see)
The Hazrati Imam Complex, also known as Hastimom, is a remarkable architectural ensemble in the Olmazor district of Tashkent. Spanning from the 16th to the 20th century, this site stands as a testament to Tashkent's rich Islamic heritage. Situated in the "Old City," the complex centers around the tomb of Hazrati Imam, an esteemed scholar, poet, artist, and the first imam-khatib of Tashkent. His skill in crafting locks earned him the nickname "Qaffol," and his mastery of 72 languages, including translating the Torah into Arabic, showcased his remarkable linguistic talent.
The Hazrati Imam Complex is a blend of historical and spiritual landmarks that highlight Tashkent鈥檚 cultural and religious heritage. The Mo驶yi Muborak Madrasa, renowned for housing one of the world鈥檚 oldest Qurans, radiates reverence and scholarly significance. The Qaffol Shoshi Mausoleum, the complex鈥檚 centerpiece, honors Hazrati Imam鈥檚 legacy as a scholar and spiritual guide. The Baroqxon Madrasa, a 16th-century masterpiece commissioned by Abdullah Khan II, and the Hazrati Imam Mosque, with its sandalwood columns and gold-leaf domes capturing sunlight, showcase architectural brilliance. The Tillashayx Mosque, renovated in the 20th century, remains a vibrant place of worship, while the Imam al-Bukhari Islamic Institute bridges tradition and modern Islamic studies.
Hazrati Imam鈥檚 legacy is deeply ingrained in the complex's history. Constructed near his grave, the ensemble has evolved over centuries, with significant contributions from skilled artisans. The two towering minarets, each 53 meters high, were crafted by Khorezmian and Samarkand masters, blending intricate design with structural ingenuity.
Surviving the devastating 1966 earthquake, the Hazrati Imam Complex stands as a symbol of Tashkent鈥檚 resilience. It also played a role in commemorating the city鈥檚 2200th anniversary in 2009, with its image featured on commemorative postage stamps alongside other iconic landmarks.
Today, the Hazrati Imam Complex is not only a place of worship but also a cultural hub, housing the Administration of Muslims of Uzbekistan. It attracts visitors and scholars alike, offering insights into the region's spiritual and architectural traditions.
The Hazrati Imam Complex seamlessly blends the past and present, making it a cornerstone of Uzbekistan鈥檚 Islamic heritage and a must-visit landmark in Tashkent.
The Hazrati Imam Complex is a blend of historical and spiritual landmarks that highlight Tashkent鈥檚 cultural and religious heritage. The Mo驶yi Muborak Madrasa, renowned for housing one of the world鈥檚 oldest Qurans, radiates reverence and scholarly significance. The Qaffol Shoshi Mausoleum, the complex鈥檚 centerpiece, honors Hazrati Imam鈥檚 legacy as a scholar and spiritual guide. The Baroqxon Madrasa, a 16th-century masterpiece commissioned by Abdullah Khan II, and the Hazrati Imam Mosque, with its sandalwood columns and gold-leaf domes capturing sunlight, showcase architectural brilliance. The Tillashayx Mosque, renovated in the 20th century, remains a vibrant place of worship, while the Imam al-Bukhari Islamic Institute bridges tradition and modern Islamic studies.
Hazrati Imam鈥檚 legacy is deeply ingrained in the complex's history. Constructed near his grave, the ensemble has evolved over centuries, with significant contributions from skilled artisans. The two towering minarets, each 53 meters high, were crafted by Khorezmian and Samarkand masters, blending intricate design with structural ingenuity.
Surviving the devastating 1966 earthquake, the Hazrati Imam Complex stands as a symbol of Tashkent鈥檚 resilience. It also played a role in commemorating the city鈥檚 2200th anniversary in 2009, with its image featured on commemorative postage stamps alongside other iconic landmarks.
Today, the Hazrati Imam Complex is not only a place of worship but also a cultural hub, housing the Administration of Muslims of Uzbekistan. It attracts visitors and scholars alike, offering insights into the region's spiritual and architectural traditions.
The Hazrati Imam Complex seamlessly blends the past and present, making it a cornerstone of Uzbekistan鈥檚 Islamic heritage and a must-visit landmark in Tashkent.
8) Tashkent TV Tower (must see)
The Tashkent TV Tower (TTT), a striking 375-meter (1,230-foot) broadcasting tower, stands as one of Uzbekistan's most iconic structures and a feat of Soviet-era engineering. Officially known as the H-375m object, the tower was designed to improve television and radio coverage across the country's mountainous regions, replacing the outdated 180-meter tower built in 1957.
The idea for the TTT was born in 1971, as Uzbekistan embraced television and radio as cultural staples. Originally planned for Baghdad, the tower's design was redirected to Tashkent after the 1968 military coup in Iraq. Architects Terxiev, Tsarucov, and Semashko developed a unique steel cantilever structure to meet Uzbekistan鈥檚 needs. Construction began in 1978, following years of meticulous planning, and lasted six years. Severe winter conditions, strong winds, and the tower's altitude posed significant engineering challenges, requiring specialized equipment, including cranes capable of lifting 25-ton loads to 240 meters.
The TTT was inaugurated on January 15, 1985, with the flag of the Uzbek SSR hoisted atop the tower, marking its official launch. Upon completion, it was the fourth tallest TV tower globally and remains one of the tallest free-standing structures in the world.
The tower hosts three high-speed elevators, believed to be either German ThyssenKrupp or Swiss Schindler models, which ascend at an impressive speed of 4.8 meters per second. These elevators serve an observation deck at 97 meters and the revolving "Koinot" restaurant at 105 meters, offering panoramic views of Tashkent. The restaurant completes a full rotation every 45 minutes, allowing diners to enjoy a unique perspective of the city skyline.
The Tashkent TV Tower continues to captivate with its architectural brilliance and cultural significance, making it a must-visit landmark in Uzbekistan and a symbol of the nation's modernity and ambition.
The idea for the TTT was born in 1971, as Uzbekistan embraced television and radio as cultural staples. Originally planned for Baghdad, the tower's design was redirected to Tashkent after the 1968 military coup in Iraq. Architects Terxiev, Tsarucov, and Semashko developed a unique steel cantilever structure to meet Uzbekistan鈥檚 needs. Construction began in 1978, following years of meticulous planning, and lasted six years. Severe winter conditions, strong winds, and the tower's altitude posed significant engineering challenges, requiring specialized equipment, including cranes capable of lifting 25-ton loads to 240 meters.
The TTT was inaugurated on January 15, 1985, with the flag of the Uzbek SSR hoisted atop the tower, marking its official launch. Upon completion, it was the fourth tallest TV tower globally and remains one of the tallest free-standing structures in the world.
The tower hosts three high-speed elevators, believed to be either German ThyssenKrupp or Swiss Schindler models, which ascend at an impressive speed of 4.8 meters per second. These elevators serve an observation deck at 97 meters and the revolving "Koinot" restaurant at 105 meters, offering panoramic views of Tashkent. The restaurant completes a full rotation every 45 minutes, allowing diners to enjoy a unique perspective of the city skyline.
The Tashkent TV Tower continues to captivate with its architectural brilliance and cultural significance, making it a must-visit landmark in Uzbekistan and a symbol of the nation's modernity and ambition.
9) Orient House
Orient House, located on the iconic Amir Temur Avenue, is a treasure trove of handcrafted souvenirs that capture the spirit of Uzbekistan鈥檚 rich cultural heritage. This vibrant store is more than just a shopping destination鈥攊t鈥檚 an immersion into the artistry and traditions of the region. From the moment you step inside, the atmosphere feels like an oriental fairy tale, filled with an array of exquisite handmade crafts that showcase the country's exceptional craftsmanship.
The store鈥檚 collection is diverse, featuring intricately designed ceramics, colorful textiles, detailed jewelry, and stunning copper objects, all of which reflect the artistry and history of Uzbekistan. Each item is a testament to the skills of local artisans, making it a perfect place to find meaningful gifts or unique mementos to take home.
Orient House prides itself on its welcoming and knowledgeable staff, who are eager to assist and share the stories behind each item. Their insights add depth to the shopping experience, connecting visitors to the cultural significance of the crafts on display.
Open daily, Orient House is conveniently situated for both locals and tourists exploring Tashkent. Its central location on Amir Temur Avenue makes it an easy stop during a day of sightseeing. Whether you鈥檙e searching for a standout souvenir or simply wish to indulge in the beauty of Uzbekistan鈥檚 artistic legacy, Orient House offers an unforgettable experience that leaves a lasting impression.
The store鈥檚 collection is diverse, featuring intricately designed ceramics, colorful textiles, detailed jewelry, and stunning copper objects, all of which reflect the artistry and history of Uzbekistan. Each item is a testament to the skills of local artisans, making it a perfect place to find meaningful gifts or unique mementos to take home.
Orient House prides itself on its welcoming and knowledgeable staff, who are eager to assist and share the stories behind each item. Their insights add depth to the shopping experience, connecting visitors to the cultural significance of the crafts on display.
Open daily, Orient House is conveniently situated for both locals and tourists exploring Tashkent. Its central location on Amir Temur Avenue makes it an easy stop during a day of sightseeing. Whether you鈥檙e searching for a standout souvenir or simply wish to indulge in the beauty of Uzbekistan鈥檚 artistic legacy, Orient House offers an unforgettable experience that leaves a lasting impression.
10) 鈥淐ourage鈥� Memorial
The 鈥淐ourage鈥� Memorial in Tashkent stands as a poignant tribute to the resilience and unity displayed following the devastating earthquake of April 26, 1966. With a magnitude of 9 on the Richter scale, the quake destroyed much of the city, leaving over 300,000 residents homeless. In the wake of this disaster, people from across the Soviet Union came together to rebuild Tashkent, transforming the tragedy into a testament to human solidarity and strength.
Unveiled on May 20, 1976, and designed by sculptor Dmitry Ryabichev, the memorial captures the spirit of those who rebuilt the city. At its core is a black granite cube, symbolizing the fateful moment of the earthquake. A crack splits the cube, marking the exact date and time of the disaster鈥擜pril 26, 1966, at 5:23 AM. This fissure leads to a striking sculpture of a family: a woman cradling a child in her arm, shielded by a man making a protective gesture. Together, they embody the themes of courage, protection, and unity.
Encircling the central sculpture are semicircular bas-reliefs depicting individuals who worked tirelessly to restore Tashkent. These images honor the collective effort and sacrifice made during the city鈥檚 three-and-a-half-year reconstruction.
The 鈥淐ourage鈥� Memorial holds a special place in the hearts of Tashkent鈥檚 residents. It is not only a historical landmark but also a gathering spot for visitors of all ages. Newlyweds often bring flowers to the monument, and its serene surroundings serve as a place of reflection and relaxation. The memorial eloquently conveys the strength of the human spirit, the power of friendship, and the hope that even the most challenging difficulties can be overcome.
Unveiled on May 20, 1976, and designed by sculptor Dmitry Ryabichev, the memorial captures the spirit of those who rebuilt the city. At its core is a black granite cube, symbolizing the fateful moment of the earthquake. A crack splits the cube, marking the exact date and time of the disaster鈥擜pril 26, 1966, at 5:23 AM. This fissure leads to a striking sculpture of a family: a woman cradling a child in her arm, shielded by a man making a protective gesture. Together, they embody the themes of courage, protection, and unity.
Encircling the central sculpture are semicircular bas-reliefs depicting individuals who worked tirelessly to restore Tashkent. These images honor the collective effort and sacrifice made during the city鈥檚 three-and-a-half-year reconstruction.
The 鈥淐ourage鈥� Memorial holds a special place in the hearts of Tashkent鈥檚 residents. It is not only a historical landmark but also a gathering spot for visitors of all ages. Newlyweds often bring flowers to the monument, and its serene surroundings serve as a place of reflection and relaxation. The memorial eloquently conveys the strength of the human spirit, the power of friendship, and the hope that even the most challenging difficulties can be overcome.
11) Mustaqillik Maidoni (Independence Square) Metro Station (must see)
Independence Square (Mustaqillik Maydoni) Metro Station stands as one of the most iconic and opulent stops on the Tashkent Metro network, blending grandeur with history. Opened on 6 November 1977, this station was part of the inaugural section of the metro system, making it one of the oldest in Tashkent. Initially named "V. I. Lenin Maidoni" after the Soviet leader, the station was renamed in the 1990s to reflect Uzbekistan's independence, along with the square above it.
The station鈥檚 design is a nod to the architectural elegance seen in the Moscow Metro of the 1930s, despite being built decades later. Inside, the station dazzles with white Nurata marble columns, peach-colored walls lined with Gazgan marble and red Emelyanovsky granite finishing the plinth. The floors are paved with polished slabs of red and gray granite arranged in intricate Uzbek patterns, a testament to the country鈥檚 cultural artistry.
A centerpiece of the station is the bas-relief bronze screen, which vividly depicts jubilant Uzbeks celebrating with karnays鈥攍ong ceremonial trumpets鈥攁ccompanied by clusters of dancing maidens and flag-waving citizens. The ceiling features crystal chandeliers arranged in domes around the perimeter, adding a touch of brilliance and refinement.
Notably, the station was showcased to King Juan Carlos I of Spain and Queen Sophia during their visit to Tashkent, underscoring its significance as a symbol of national pride. The Independence Square Metro Station remains an architectural marvel and a cultural landmark, offering a glimpse into the Soviet era's ambitious design ethos while celebrating Uzbekistan's heritage.
The station鈥檚 design is a nod to the architectural elegance seen in the Moscow Metro of the 1930s, despite being built decades later. Inside, the station dazzles with white Nurata marble columns, peach-colored walls lined with Gazgan marble and red Emelyanovsky granite finishing the plinth. The floors are paved with polished slabs of red and gray granite arranged in intricate Uzbek patterns, a testament to the country鈥檚 cultural artistry.
A centerpiece of the station is the bas-relief bronze screen, which vividly depicts jubilant Uzbeks celebrating with karnays鈥攍ong ceremonial trumpets鈥攁ccompanied by clusters of dancing maidens and flag-waving citizens. The ceiling features crystal chandeliers arranged in domes around the perimeter, adding a touch of brilliance and refinement.
Notably, the station was showcased to King Juan Carlos I of Spain and Queen Sophia during their visit to Tashkent, underscoring its significance as a symbol of national pride. The Independence Square Metro Station remains an architectural marvel and a cultural landmark, offering a glimpse into the Soviet era's ambitious design ethos while celebrating Uzbekistan's heritage.
12) Uzbekistan Hotel
The Uzbekistan Hotel in Tashkent is a large hotel located in the heart of the city, just 100 meters away from the famous Amir Temur Square. The hotel is built in the classic Soviet style, in the form of an open book and consists of 17 floors. The location of the hotel is perfect for foreign visitors who want to explore Tashkent's landmarks including Independence Square, galleries, and museums. In addition, the park in front of the hotel is an ideal place to hang out, watch people or chat with locals during sunset.
The Uzbekistan Hotel has a rich history, receiving its first guests in 1974 and until recently, it was the only large hotel capable of catering to large tourist groups visiting Tashkent. The hotel's name "Uzbekistan" reflects its significance in the city. Although it may have been grand in the past, the hotel is heavily used and has a worn-out appearance in some areas. However, the lobby and outside of the hotel are still bright and inviting.
The hotel offers cozy rooms with air conditioning and a flat-screen TV, a gym, and everything necessary for a comfortable stay. The rooms and suites are classically furnished and decorated with dark wooden furniture and elegant fabrics. The elegant restaurant with a grand piano serves both European and local cuisine, while the cafe-bar "Vienna" offers a wide selection of hot and cold drinks. The snack bar on site is also a convenient option for a quick bite.
The hotel's location allows easy access to many attractions, shops, and cafes. The Amir Temur metro station is just a 5-minute walk away, and the staff at the 24-hour front desk can arrange shuttle services to Tashkent Airport, which is only 10 km away.
The Uzbekistan Hotel has a rich history, receiving its first guests in 1974 and until recently, it was the only large hotel capable of catering to large tourist groups visiting Tashkent. The hotel's name "Uzbekistan" reflects its significance in the city. Although it may have been grand in the past, the hotel is heavily used and has a worn-out appearance in some areas. However, the lobby and outside of the hotel are still bright and inviting.
The hotel offers cozy rooms with air conditioning and a flat-screen TV, a gym, and everything necessary for a comfortable stay. The rooms and suites are classically furnished and decorated with dark wooden furniture and elegant fabrics. The elegant restaurant with a grand piano serves both European and local cuisine, while the cafe-bar "Vienna" offers a wide selection of hot and cold drinks. The snack bar on site is also a convenient option for a quick bite.
The hotel's location allows easy access to many attractions, shops, and cafes. The Amir Temur metro station is just a 5-minute walk away, and the staff at the 24-hour front desk can arrange shuttle services to Tashkent Airport, which is only 10 km away.
13) Cathedral of the Assumption of the Virgin
The Cathedral of the Assumption of the Virgin, also known as the Cathedral of the Dormition of the Mother of God, serves as the Russian Orthodox cathedral of the Diocese of Tashkent in Uzbekistan. This historically significant structure, originally built in 1871, has undergone numerous transformations to become the grand religious site it is today.
The cathedral was initially constructed as a modest church dedicated to Saint Panteleimon, serving as a cemetery and later supporting the nearby Military Hospital. In 1922, like many churches in Central Asia, it was absorbed into the Living Church movement, which was supported by the Bolsheviks. Worship was halted in 1933, and the church premises were repurposed as a military depot.
Following World War II, in December 1945, the church was restored, reconsecrated in honor of the Dormition of the Blessed Virgin, and designated as the main Orthodox cathedral of Tashkent. This marked the beginning of a period of expansion and embellishment.
Significant renovations in the 1950s and 1960s saw the cathedral expanded to accommodate up to 4,000 worshippers. Further enhancements in the 1990s included the reconstruction of the bell tower next to the main dome, with interior redecorations to mark the visit of Patriarch Alexis II in 1996. The architectural style combines elements of classicism, with blue facades and white decor creating a sense of lightness and grace.
One of the most striking features is the five-story openwork bell tower, rebuilt in 2010, which stands as a symbol of the cathedral鈥檚 enduring legacy. Visitors enter the site through a triple arch topped with a golden dome, leading to a courtyard of structures unified in their elegant design.
Today, the Cathedral of the Assumption of the Virgin is not only a religious center but also a historical landmark, reflecting Tashkent's rich cultural and spiritual heritage. Its journey from a small cemetery church to the city鈥檚 primary Orthodox cathedral exemplifies resilience and transformation, making it a must-visit site for those exploring Uzbekistan鈥檚 religious and architectural history.
The cathedral was initially constructed as a modest church dedicated to Saint Panteleimon, serving as a cemetery and later supporting the nearby Military Hospital. In 1922, like many churches in Central Asia, it was absorbed into the Living Church movement, which was supported by the Bolsheviks. Worship was halted in 1933, and the church premises were repurposed as a military depot.
Following World War II, in December 1945, the church was restored, reconsecrated in honor of the Dormition of the Blessed Virgin, and designated as the main Orthodox cathedral of Tashkent. This marked the beginning of a period of expansion and embellishment.
Significant renovations in the 1950s and 1960s saw the cathedral expanded to accommodate up to 4,000 worshippers. Further enhancements in the 1990s included the reconstruction of the bell tower next to the main dome, with interior redecorations to mark the visit of Patriarch Alexis II in 1996. The architectural style combines elements of classicism, with blue facades and white decor creating a sense of lightness and grace.
One of the most striking features is the five-story openwork bell tower, rebuilt in 2010, which stands as a symbol of the cathedral鈥檚 enduring legacy. Visitors enter the site through a triple arch topped with a golden dome, leading to a courtyard of structures unified in their elegant design.
Today, the Cathedral of the Assumption of the Virgin is not only a religious center but also a historical landmark, reflecting Tashkent's rich cultural and spiritual heritage. Its journey from a small cemetery church to the city鈥檚 primary Orthodox cathedral exemplifies resilience and transformation, making it a must-visit site for those exploring Uzbekistan鈥檚 religious and architectural history.
14) Tashkent Museum of Railway Equipment
The Tashkent Museum of Railway Equipment, also known as the Museum of Steam Locomotives, is a one-of-a-kind destination in Uzbekistan, located near the Tashkent Northern Railway Station. Opened on August 4, 1989, to commemorate the 100th anniversary of the first railway in Central Asia, the museum stands as a tribute to the region's rich railway heritage.
This open-air museum, stretching about one kilometer, displays 13 steam engines, 18 diesel, and 3 electric locomotives, along with freight and passenger carriages, repair tools, and construction equipment. The exhibits, made in Russia, Czechoslovakia, Germany, Poland, and the USA, reflect international railway engineering collaboration.
Highlights include the OV Engine 1534 ("The Lamb"), a 1914 steam engine with 700 horsepower and a top speed of 55 km/h, the powerful 3,000-horsepower P 36 ("Victory"), and various railway artifacts like signals, semaphores, radios, badges, and machinist uniforms showcasing railway history.
The museum also houses several carriages converted into mini-museums, featuring detailed exhibits on the Central Asian railway's history, maps of historical rail routes, communication devices, and railway worker memorabilia. Visitors are encouraged to interact with the exhibits by climbing into driver鈥檚 cabs, pressing buttons, and exploring the controls.
For a unique experience, guests can enjoy a ride on one of the oldest trains along a 1-kilometer track through the museum's beautifully landscaped grounds. Guided tours provide an in-depth narrative of the technological evolution of railway transport, making the museum an engaging destination for enthusiasts and casual visitors alike.
The Tashkent Museum of Railway Equipment is not only a historical archive but also a celebration of engineering ingenuity, making it a must-visit for those seeking to delve into the fascinating legacy of Uzbekistan's railways.
This open-air museum, stretching about one kilometer, displays 13 steam engines, 18 diesel, and 3 electric locomotives, along with freight and passenger carriages, repair tools, and construction equipment. The exhibits, made in Russia, Czechoslovakia, Germany, Poland, and the USA, reflect international railway engineering collaboration.
Highlights include the OV Engine 1534 ("The Lamb"), a 1914 steam engine with 700 horsepower and a top speed of 55 km/h, the powerful 3,000-horsepower P 36 ("Victory"), and various railway artifacts like signals, semaphores, radios, badges, and machinist uniforms showcasing railway history.
The museum also houses several carriages converted into mini-museums, featuring detailed exhibits on the Central Asian railway's history, maps of historical rail routes, communication devices, and railway worker memorabilia. Visitors are encouraged to interact with the exhibits by climbing into driver鈥檚 cabs, pressing buttons, and exploring the controls.
For a unique experience, guests can enjoy a ride on one of the oldest trains along a 1-kilometer track through the museum's beautifully landscaped grounds. Guided tours provide an in-depth narrative of the technological evolution of railway transport, making the museum an engaging destination for enthusiasts and casual visitors alike.
The Tashkent Museum of Railway Equipment is not only a historical archive but also a celebration of engineering ingenuity, making it a must-visit for those seeking to delve into the fascinating legacy of Uzbekistan's railways.
15) Cathedral of the Sacred Heart of Jesus
The Cathedral of the Sacred Heart of Jesus, also known as the Sacred Heart Cathedral or the Polish Church, is a Roman Catholic church situated on Sadiq Asimov Street in Tashkent. This striking early 20th-century building stands as a testament to faith, resilience, and architectural beauty.
The cathedral's construction began in 1912, spearheaded by Father Justin Bonaventura Pranaitis and designed by the renowned Polish architect Ludwik Panchakevich. The initial labor force included Catholic soldiers stationed in Tashkent, later replaced by prisoners of war skilled in engineering, sculpture, and bricklaying. Following the deaths of Pranaitis in 1917 and Panchakevich, the project continued under Father Boleslav Ruthenis.
From 1925 to 1976, the unfinished church was repurposed for secular use, serving as a hostel, a warehouse, and a space for various enterprises. During this period, much of its original sculptures and artwork were lost to theft or destruction.
In 1976, the building was transferred to the Ministry of Culture of the Uzbek SSR and declared an architectural and historical monument in 1981. Its transformation back into a place of worship began in 1992 when it was handed over to Tashkent's Catholic parish. Restoration work, led by architect Sergey Adamov and engineer Alexander Ponomarev, commenced in 1993. The cathedral was consecrated on October 22, 2000, by Archbishop Marian Oles, the Apostolic Nuncio to Central Asia.
The cathedral's design showcases stained glass windows, small rooftop towers, and an elegant arched doorway, reflecting its early 20th-century origins. Inside, it houses a living room and a library dedicated to Pope John Paul II, offering a space for community and study.
The Cathedral of the Sacred Heart of Jesus serves as the episcopal seat of Fr. Jerzy Matsulevich, the Bishop of the Apostolic Administration of Uzbekistan. It is home to three Franciscan priests and one Franciscan monk. Sunday Mass is celebrated in English, Russian, Korean, and Polish, reflecting the cathedral's diverse congregation.
The cathedral's construction began in 1912, spearheaded by Father Justin Bonaventura Pranaitis and designed by the renowned Polish architect Ludwik Panchakevich. The initial labor force included Catholic soldiers stationed in Tashkent, later replaced by prisoners of war skilled in engineering, sculpture, and bricklaying. Following the deaths of Pranaitis in 1917 and Panchakevich, the project continued under Father Boleslav Ruthenis.
From 1925 to 1976, the unfinished church was repurposed for secular use, serving as a hostel, a warehouse, and a space for various enterprises. During this period, much of its original sculptures and artwork were lost to theft or destruction.
In 1976, the building was transferred to the Ministry of Culture of the Uzbek SSR and declared an architectural and historical monument in 1981. Its transformation back into a place of worship began in 1992 when it was handed over to Tashkent's Catholic parish. Restoration work, led by architect Sergey Adamov and engineer Alexander Ponomarev, commenced in 1993. The cathedral was consecrated on October 22, 2000, by Archbishop Marian Oles, the Apostolic Nuncio to Central Asia.
The cathedral's design showcases stained glass windows, small rooftop towers, and an elegant arched doorway, reflecting its early 20th-century origins. Inside, it houses a living room and a library dedicated to Pope John Paul II, offering a space for community and study.
The Cathedral of the Sacred Heart of Jesus serves as the episcopal seat of Fr. Jerzy Matsulevich, the Bishop of the Apostolic Administration of Uzbekistan. It is home to three Franciscan priests and one Franciscan monk. Sunday Mass is celebrated in English, Russian, Korean, and Polish, reflecting the cathedral's diverse congregation.
