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Adelaide Railway Station serves as the central terminus for the Adelaide Metro railway system, making it the primary hub for metropolitan rail services in South Australia. Positioned on the north side of North Terrace, just west of Parliament House, the station has a rich history dating back to its original construction between 1926 and 1928. Designed by Daniel Garlick and Herbert Jackman, the station is one of the finest examples of Neoclassical architecture in Australia and has been designated a State Heritage Place.

The station features nine below-ground platforms, all utilizing broad gauge track, and serves as the starting and ending point for nearly all trains on the metropolitan network. Approximately 230,000 commuters pass through the station weekly, amounting to 12 million annually, making it one of the busiest destinations in Adelaide's central business district. Originally, Adelaide Railway Station also handled regional and interstate passenger services. However, since 1984, these services have been relocated to the Adelaide Parklands Terminal, as regular regional train services in South Australia ceased.

In recent years, the station has undergone significant revitalization efforts aimed at transforming it from a mere transit point into a vibrant public space. These refurbishments have included the introduction of various food and beverage options, enhancing the station's appeal to commuters, city workers, tourists, and event-goers alike. The station's revitalization also pays homage to its unique 1920s character, ensuring that its historical and cultural significance is preserved while adapting to modern needs.

The Elder Conservatorium of Music, often referred to as "The Con," is Australia's most senior academy of music, located in the heart of Adelaide. Established in 1883 with a philanthropic gift from Sir Thomas Elder, the Conservatorium is one of the oldest music institutions in the Southern Hemisphere. It has played a crucial role in the development and nurturing of South Australia's rich musical culture.

As a cornerstone of the University of Adelaide, the Elder Conservatorium has grown in prestige and scope over the years, evolving into a 21st-century music training institution of national significance. It offers a wide-ranging curriculum that covers various musical disciplines, including classical and jazz performance, composition, musicology, ethnomusicology, music education, and music technology. The Conservatorium is also known for its focus on diverse musical genres, from classical and jazz to popular and Aboriginal music, and more recently, Music Theatre.

Under the leadership of Professor Anna Goldsworthy, the Conservatorium remains committed to excellence in music education and performance, contributing significantly to Australia's musical landscape. The Elder Music Library, the largest of its kind in the Southern Hemisphere, supports this mission with an extensive collection of nearly 30,000 books, over 120,000 music scores, and around 22,000 sound recordings, making it an invaluable resource for students, educators, and researchers alike.

With a history rooted in tradition and a forward-looking approach to music education, the Elder Conservatorium continues to be a vital institution in Australia鈥檚 cultural and educational spheres, shaping the future of music in South Australia and beyond.

The Adelaide Botanic Garden is a 51-hectare (130-acre) public garden located in the northeast corner of the Adelaide city center, nestled within the Adelaide Park Lands. Officially opened to the public on October 4, 1857, the garden serves as an oasis of greenery and tranquility in the heart of the city, offering beautifully landscaped gardens, majestic tree-lined avenues, and striking architectural features.

Among the garden's many highlights is the magnificently restored Palm House, a Victorian-era glasshouse designed by German architect Gustav Runge. Imported from Bremen, Germany, in 1875 and opened in 1877, the Palm House is the second-oldest glasshouse in Australia and the only remaining one of its kind from that period, as others were destroyed during World War II. Originally home to tropical flora, the Palm House now showcases a collection of arid plants from Madagascar due to the challenges posed by corrosion.

Another significant feature is the Museum of Economic Botany, dedicated to the collection and interpretation of useful plants. Established by Schomburgk in 1879 and opened in 1881, this museum is notable for being the last purpose-built colonial museum in the world. It has been meticulously restored, with much of its original collection from 1881 reinstated, including replicas of various fruits and fungi. The museum also features displays of Aboriginal artifacts, curated in collaboration with the South Australian Museum.

Visitors can also explore the Amazon Waterlily Pavilion, the Bicentennial Conservatory, and the award-winning Rose Garden, which blooms from October to April. For those looking to relax and enjoy a meal, the garden offers several dining options, including the casual caf茅s Simpson Kiosk and Evergreen Deli, and the award-winning Restaurant Botanic for a fine dining experience.

The Adelaide Botanic Garden is a historic and cultural landmark, offering a serene escape in the bustling city while showcasing some of Australia鈥檚 finest plant collections and architectural heritage.

Himeji Garden in Adelaide is a serene and meticulously crafted Japanese garden, located in Park 18 (Peppermint Park / Wita Wirra), part of the southern Adelaide Park Lands. This traditional Japanese garden was gifted to Adelaide by its sister city, Himeji, in 1982, as a symbol of the enduring friendship between the two cities.

Initially designed by Adelaide City Council staff in collaboration with the local Japanese community, the garden faced criticism for some of its design elements, such as the use of a cyclone fence and a perceived lack of detail. Recognizing the need for refinement, in 1986, the council enlisted the expertise of Japanese landscape designer Yoshitaka Kumada to revamp the garden.

Kumada's redesign, which began after a Shinto ground-breaking ceremony in 1987, introduced significant changes, including reshaping the lake, expanding the Sea of Sand, and integrating a selection of trees, shrubs, and stones sourced from Melbourne and the Adelaide region. The centerpiece of the garden, a granite Okunoin lantern, was a gift from the City of Himeji in 1985, further enhancing the garden's authenticity and cultural significance.

By 1989, the garden's redesign was fully implemented, but Kumada's influence continued into the early 1990s as he made annual visits to Adelaide, fine-tuning details and imparting traditional gardening techniques to the council's horticulture team. These techniques are still in use today, ensuring that the garden remains true to its original design principles.

The garden is divided into two distinct areas: the sansui, or "mountain and lake garden," and the kare-sansui, or "dry rock garden," which symbolizes mountains surrounded by water. The Sea of Sand, a key feature of the kare-sansui, is carefully maintained to depict waves lapping against islands, with straight lines representing the ocean, embodying the peaceful and contemplative spirit of Japanese garden design.

Himeji Garden stands as a tranquil retreat in the heart of Adelaide, where visitors can slow down, reflect, and appreciate the timeless beauty and meticulous craftsmanship that went into its creation.

The Adelaide Central Market, located in Adelaide, is one of the largest and oldest undercover fresh produce markets in the Southern Hemisphere. With over 70 traders under one roof, it is a vibrant hub for fresh food, multicultural cuisine, and a wide range of specialty products. The market offers an extensive selection of fresh produce, including fruits, vegetables, meat, poultry, seafood, cheeses, baked goods, small goods, and health foods. It is also home to some of Adelaide鈥檚 most popular cafes and eateries, making it a premier destination for both locals and tourists alike.

Established in 1869, the market originally began as the City Market, with traders moving from the East End Markets to the new site on Grote Street. The market officially opened in 1870 with 50 to 100 produce carts selling a variety of goods such as vegetables, fruit, hay, fish, and game. Over the years, it expanded and developed into the bustling marketplace it is today, now boasting over 76 stalls in a single undercover area. The market is managed by the Adelaide Central Market Authority, a subsidiary of the City of Adelaide, which is responsible for maintaining its iconic status and ensuring its smooth operation.

In addition to its rich history and wide range of fresh produce, the Adelaide Central Market is surrounded by the Central Market Arcade, Adelaide China Town, and Market Plaza, further enhancing its appeal as a key destination in the city. The market attracts more than 8.5 million visitors annually, cementing its place as a cultural and culinary landmark in Adelaide. Notably, the market's Grote Street exterior features a large Father Christmas statue, a beloved figure that once graced John Martin's and David Jones in Rundle Mall, adding to its unique charm and historical significance.

Adelaide Gaol, located in the Park Lands of Adelaide, is one of the oldest surviving colonial public buildings in the city and a significant site in the region's history. As the first permanent prison in South Australia, the gaol operated from 1841 until its closure in 1988. Alongside Government House, Adelaide Gaol remains one of the two oldest buildings still standing in the state, marking it as an important historical landmark.

The gaol was designed by George Strickland Kingston, who was commissioned in 1840 to create a facility based on the latest European prison designs, which were considered advanced for the era. The project, however, faced significant financial challenges. The final expenditure more than doubled the initial estimate, pushing the young colony of South Australia into bankruptcy. This financial crisis led to the recall of Governor Gawler to England and his replacement by Governor Grey, who halted further construction for over six years. As a result, Kingston's full vision for the gaol was never realized, though various additions and modifications were made over the prison's 147 years of operation.

During its years as a working prison, Adelaide Gaol saw approximately 300,000 prisoners pass through its doors, and 45 executions were carried out on-site. The first public hanging occurred in November 1840, even before the gaol's construction was complete. The executed individuals were buried within the prison grounds, adding to the gaol's grisly history.

In the early 1980s, it was decided that Adelaide Gaol would be closed, and the prison was officially decommissioned on 4 February 1988. Today, the site serves as a museum, tourist attraction, and function center, offering visitors a glimpse into South Australia's colonial past and the darker aspects of its history.